You've got your passion. You've got your pride. But don't you know that only fools are satisfied? Dream on, but don't imagine they'll all come true.
Billy JoelRead
I am no longer afraid of becoming lost, because the journey back always reveals something new, and that is ultimately good for the artist.
Interpretation
Embracing uncertainty in one's journey can lead to valuable discoveries and personal growth.
In this quote, Billy Joel expresses a transformative perspective on the fear of losing one's way. Instead of perceiving being lost as a negative experience, he suggests that such moments can unearth new insights and enrich an artist's creative process. The journey, with its unpredictability, ultimately contributes positively to the artist's evolution.
In practice
During a motivational speech on creativity, one could say, 'As Billy Joel once noted, being lost can lead to new revelations in our artistic journeys.'
You've got your passion. You've got your pride. But don't you know that only fools are satisfied? Dream on, but don't imagine they'll all come true.
Well I never had a place that I could call my very own/That's all right, my love, 'cause you're my home.
If it seems like I've been lost in 'lets remember', If it seems I'm gettin' older and missin' my younger days, well you shoulda known me much better, cause the past is something that never got in my way.
I consider myself to be an inept pianist, a bad singer, and a merely competent songwriter. ... I'm probably writing music now for the same reason as I started writing songs when I was 14-to meet women. ... If you make music for the human needs you have within yourself, then you do it for all humans who need the same things. You enrich humanity with the profound expression of these feelings. ... My songs are like my kids.
No matter what culture you're from, everyone loves music.
Sweetness flows from your appearance and your beauty makes me fall more in love with you. Anytime I feel low, I think about the good times you have given me and everything seems good again.
People say to me, 'You seem to have made this conscious decision to do independent films'. In reality, I haven't. After each movie, I always think, 'how different can I possibly be? Is this going to challenge me, is this going to inspire me, and is this going to make me love my job more than I already do?'
The maker of kitsch does not create inferior art, he is not an incompetent or a bungler, he cannot be evaluated by aesthetic standards; rather, he is ethically depraved, a criminal willing radical evil. And since it is radical evil that is manifest here, evil per se, forming the absolute negative pole of every value-system, kitsch will always be evil, not just kitsch in art, but kitsch in every value-system that is not an imitation system.
Then I thought, Whoa. If there are no photographs, then there is no history. I'm going to get in there. I'm going to make these pictures. We need a record.
There is nothing harder to estimate than a writer's time, nothing harder to keep track of. There are moments—moments of sustained creation—when his time is fairly valuable; and there are hours and hours when a writer's time isn't worth the paper he is not writing anything on.
The hardest thing about a musical is making sure everybody is working on the same damn show. That is the monster.
It would be difficult for me not to conclude that the most perfect type of masculine beauty is Satan, as portrayed by Milton.
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