First of all, I swore it was two people playing. When I finally admitted to myself that was one man, I gave up the piano for a month. I figured it was hopeless to practice.
Oscar PetersonRead
I don't believe that a lot of the things I hear on the air today are going to be played for as long a time as Coleman Hawkins records or Brahms concertos.
Interpretation
Oscar Peterson expresses doubt about the longevity of contemporary music compared to timeless classics.
In this quote, Oscar Peterson reflects on the nature of music, suggesting that many modern pieces won't endure the test of time like the works of jazz legend Coleman Hawkins or classical composer Johannes Brahms. Peterson's statement emphasizes the distinction between fleeting trends and enduring artistry, underlining a belief in the lasting impact of true musical genius.
In practice
This quote can be used in a motivational speech about the importance of valuing true artistry in music.
First of all, I swore it was two people playing. When I finally admitted to myself that was one man, I gave up the piano for a month. I figured it was hopeless to practice.
Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing.
It's the group sound that's important, even when you're playing a solo. You not only have to know your own instrument, you must know the others and how to back them up at all times. That's jazz.
Montreal was a very active jazz center until club owners started putting in strippers instead of music. Before long, there was nothing to hear.
Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing. I believe in using the entire piano as a single instrument capable of expressing every possible musical idea. I have no one style. I play as I feel.
You not only have to know your own instrument, you must know the others and how to back them up at all times. That's jazz.
I think I write in order to discover on my shelf a new book that I would enjoy reading, or to see a new play that would engross me.
It is enough for a poet to be the guilty conscience of his age.
Flowers construct the most charming geometries: circles like the sun, ovals, cones, curlicues and a variety of triangular eccentricities, which when viewed with the eye of a magnifying glass seem a Lilliputian frieze of psychedelic silhouettes.
Through the ingenuousness of her age beamed an ardent mind, a mind not of the women but of the poet; she did not please, she intoxicated.
There is no rule on how to write. Sometimes it comes easily and perfectly; sometimes it's like drilling rock and then blasting it out with charges.
It is not my job to compare my movies. I don't like to compare my films with other movies because I don't really have that perspective. It is an intellectual exercise, but it doesn't intuitively come to me.
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