First of all, I swore it was two people playing. When I finally admitted to myself that was one man, I gave up the piano for a month. I figured it was hopeless to practice.
Oscar PetersonRead
Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing. I believe in using the entire piano as a single instrument capable of expressing every possible musical idea. I have no one style. I play as I feel.
Interpretation
The quote emphasizes the importance of versatility in musical expression rather than adhering to a single style.
Oscar Peterson's quote highlights the limitations that many jazz pianists impose on themselves by sticking to a personal style or trademark. He advocates for a broader approach to music, suggesting that the piano should be utilized as a whole to convey the full range of musical ideas. By stating he has no one style and plays as he feels, Peterson champions artistic freedom and the exploration of diverse expressions in music.
In practice
In a music class discussing improvisation techniques.
First of all, I swore it was two people playing. When I finally admitted to myself that was one man, I gave up the piano for a month. I figured it was hopeless to practice.
Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing.
I don't believe that a lot of the things I hear on the air today are going to be played for as long a time as Coleman Hawkins records or Brahms concertos.
It's the group sound that's important, even when you're playing a solo. You not only have to know your own instrument, you must know the others and how to back them up at all times. That's jazz.
Montreal was a very active jazz center until club owners started putting in strippers instead of music. Before long, there was nothing to hear.
You not only have to know your own instrument, you must know the others and how to back them up at all times. That's jazz.
Songwriting is my gift from God
I think the way kids create is so inspiring. They're drawing a picture? They love the picture they drew; they're not tortured about it.
Once you recognize that all documentaries are performance, it's not a matter of 'if' they should be performance. They are performance, and they are performance precisely where people are playing themselves.
It is very bad for (an artist) to talk about how he (creates). It is not the (artist's) province to explain or to run guided tours through the more difficult country of his work. It's none of their business that you had to learn. Let them think you were born that way.
A writer has to be driven crazy to help him to see. A writer needs his poisons.
It’s a curious thing. I suppose most people think of artists as impatient but I don’t know of any first-rate artist who hasn’t manifested in his career an appalling patience, a willingness to wait and to do his best now in the expectation that next year he will do better.
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