What always made me proud - almost blushing with pride - is that Francis Coppola, Martin Scorsese, Steven Spielberg all told me that 'The Conformist' is their first modern influence.
Bernardo BertolucciRead
As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
Interpretation
Editing is a creative process that is as important as the filming itself.
In this quote, Bernardo Bertolucci reflects on the Auteur Theory, expressing that while he initially viewed editing merely as a technical extension of filming, he later came to realize that it is a significant creative act in its own right, comparable to writing. This insight underscores the importance of editing in filmmaking, highlighting that it shapes the narrative and emotional impact of a film just as much as the initial shooting does.
In practice
This quote could inspire film students when discussing the editing process in a classroom setting.
What always made me proud - almost blushing with pride - is that Francis Coppola, Martin Scorsese, Steven Spielberg all told me that 'The Conformist' is their first modern influence.
The problem in Hollywood is that they try to become the only kind of cinema in the world, okay? The imposition everywhere of a unique culture, which is Hollywood culture, and a unique way of life, which is the American way of life.
I remember being young in the 1960s... we had a great sense of the future, a great big hope. This is what is missing in the youth today. This being able to dream and to change the world.
For American filmmakers, the Oscars is like a mystic thing. For me, it was being in a mirror of my dreams when I was dreaming of Hollywood when I was an adolescent.
When I shoot, I try to feel the body and the face and the weight of the actor, because the character until that moment is only in the pages of the script. And very often, I pull from the life of my actors. I'm always curious about what these characters and these actors are hiding about their lives.
If I don't fall in love with my characters, I cannot shoot.
When I look back and think how fortunate I've been to work with some wonderful people and had some marvelous experiences, then I can look at 'Star Trek' and think it's almost like the cream on the coffee. I don't approach it as anything but a magnificent plus.
If you take a picture of a human that does not make him noble, there is no reason to take this picture... _x000D_ “If you take a picture of a human that does not make him noble, there is no reason to take this picture. That is my way of seeing things.
Sometimes films ignore other points of view because it's simpler to tell the story that way, but the more genuine and sympathetic you are to different points of view and situations, the more real the story is.
As a dramatist, you have 200 choices at every fork in the road. But the audience will reject it if you make the wrong choice, if they feel you are trying to shape the character in a way that suits you. It rings false immediately. People can sense when you're being cynical or schematic.
In Red Flags, Juris Jurjevics has brilliantly accomplished a feat that is becoming a major characteristic of 21st century literature: the seamless combining of a genre form with the deep resonance of literary art. This book is thrilling to read for both its narrative drive and its insight into the human heart.
In my career as a director, there's always been some point where you get halfway through it, or three-quarters, and you go: 'What is this thing all about, and why am I telling the story? Does anybody really care about seeing this?' At that time you have to say: 'OK, forget that and just go ahead.'
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