As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
Bernardo BertolucciRead
For American filmmakers, the Oscars is like a mystic thing. For me, it was being in a mirror of my dreams when I was dreaming of Hollywood when I was an adolescent.
Interpretation
The Oscars represent a dreamlike achievement for filmmakers, reflecting aspirations and visions of success in Hollywood.
Bernardo Bertolucci's quote emphasizes the enigmatic allure of the Oscars for American filmmakers, likening the awards to a mirror that reflects their deepest aspirations and dreams about success in Hollywood. He conveys that, during his adolescence, he envisioned the glitz and grandeur of the Hollywood film industry, making the Oscars a symbolic realization of those dreams, underscoring the importance of dreams and ambitions in artistic pursuits.
In practice
In a speech at a film festival discussing the importance of dreams in filmmaking.
As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
What always made me proud - almost blushing with pride - is that Francis Coppola, Martin Scorsese, Steven Spielberg all told me that 'The Conformist' is their first modern influence.
The problem in Hollywood is that they try to become the only kind of cinema in the world, okay? The imposition everywhere of a unique culture, which is Hollywood culture, and a unique way of life, which is the American way of life.
I remember being young in the 1960s... we had a great sense of the future, a great big hope. This is what is missing in the youth today. This being able to dream and to change the world.
When I shoot, I try to feel the body and the face and the weight of the actor, because the character until that moment is only in the pages of the script. And very often, I pull from the life of my actors. I'm always curious about what these characters and these actors are hiding about their lives.
If I don't fall in love with my characters, I cannot shoot.
I saw that my camera gave me a sense of connection with others that I never had before. It allowed me to enter lives, satisfying a curiosity that was always there but that was never explored before.
The important thing is not the camera but the eye.
Music can be healing, and with my history and my knowledge of both sides of what looks like a gigantic divide in the world, I feel I can point a way forward to our common humanity again.
The book, like the bicycle, is a perfect form.
Once it happened, as I lay awake at night, that I suddenly spoke in verses, in verses so beautiful and strange that I did not venture to think of writing them down, and then in the morning they vanished; and yet they lay hidden within me like the hard kernel within an old brittle husk.
It's such a pleasant surprise when you come on set and you find someone in charge like Ken Branagh or James Ivory. You know that you're going to do a day's work and at the end of it, it's going to be good.
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