He feared me as many men fear women: because their mistresses (or their wives) understand them. They are scarcely adult, some men: they wish women to understand them, and to that end they tell them all their secrets; and then, when they are properly understood, they hate their women for understanding them.
Interpretation
The quote explores men's fear of being understood by women, highlighting a paradox in intimacy and communication.
Julian Barnes reflects on the complexity of male-female relationships, suggesting that many men harbor a fear of women due to their capacity for understanding. This paradox arises because while men desire emotional connection and openness, they often resent women for the insight they gain into their true selves, fearing that vulnerability undermines their adulthood and autonomy.
In practice
This quote can be used in a discussion about gender dynamics in relationships.
(on grief) And you do come out of it, that’s true. After a year, after five. But you don’t come out of it like a train coming out of a tunnel, bursting through the downs into sunshine and that swift, rattling descent to the Channel; you come out of it as a gull comes out of an oil-slick. You are tarred and feathered for life.
Is despair wrong? Isn’t it the natural condition of life after a certain age? … After a number of events, what is there left but repetition and diminishment? Who wants to go on living? The eccentric, the religious, the artistic (sometimes); those with a false sense of their own worth. Soft cheeses collapse; firm cheeses endurate. Both go mouldy.
It took me some years to clear my head of what Paris wanted me to admire about it, and to notice what I preferred instead. Not power-ridden monuments, but individual buildings which tell a quieter story: the artist's studio, or the Belle Epoque house built by a forgotten financier for a just-remembered courtesan.
But I’ve been turning over in my mind the question of nostalgia, and whether I suffer from it. I certainly don’t get soggy at the memory of some childhood knickknack; nor do I want to deceive myself sentimentally about something that wasn’t even true at the time—love of the old school, and so on. But if nostalgia means the powerful recollection of strong emotions—and a regret that such feelings are no longer present in our lives—then I plead guilty.
And that's a life, isn't it? Some achievements and some disappointments. It's been interesting to me, though I wouldn't complain or be amazed if others found it less so. Maybe, in a way, Adrian knew what he was doing. Not that I would have missed my own life for anything, you understand. [pp.60-61]
Every love story is a potential grief story.
We [should not] make the mistake of thinking that marriage will provide the ultimate satisfaction for which we all hunger. To assume so would be to be guilty of blasphemy. Only God satisfies the hungry heart. Marriage is but one of the channels He uses to enable us to taste how deeply satisfying His thirst-quenching grace can be.
I took it for granted that there must be a few men left in the world who had that kind of strength. I assumed that those men would also be looking for women with principle. I did not want to be among the marked-down goods on the bargain table, cheap because they’d been pawed over. Crowds collect there. It is only the few who will pay full price. "You get what you pay for.
Most teens aren’t addicted to social media; if anything, they’re addicted to each other.
There is a sweetness in being the sole source, the autocratic_x000D_ and irresponsible cause of the greatest joy and profoundest pain to another.
Laila has moved on. Because in the end she knows that’s all she can do. That and hope.
If misery loves company, misery has company enough.
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