I thought it would be fun to take the kind of character that nobody would like, none of our readers would like, and shove him down their throats and make them like him.
Stan LeeRead
Marilyn always dreamt of being an actress. She didn't, by the way, dream of being just a star. She dreamt of being an actress. And she had always lived somehow with that dream. And that is why, despite the fact that she became one of the most unusual and outstanding stars of all time, she herself was never satisfied. When she came to New York, she began to perceive the possibilities of really accomplishing her dream, of being an actress.
Interpretation
The quote reflects the distinction between the aspirations of an actress and the superficiality of fame.
Lee Strasberg is emphasizing that Marilyn Monroe's true ambition was to be a talented actress rather than merely a glamorous star. Despite her incredible success and recognition, she felt an inner dissatisfaction because her dreams were deeper than the fame that surrounded her. This highlights the difference between achieving fame and fulfilling one's true artistic passion.
In practice
In a speech about pursuing your passions, this quote can illustrate the importance of focusing on one's true aspirations.
I thought it would be fun to take the kind of character that nobody would like, none of our readers would like, and shove him down their throats and make them like him.
We are all affected by Le Corbusier, Frank Lloyd Wright, Alvar Aalto, and Mies van der Rohe. But no less than Bramante, Borromini, and Bernini. Architecture is a tradition, a long continuum. Whether we break with tradition or enhance it, we are still connected to that past. We evolve.
Writing's funny, it's like walking down a hall in the dark looking for the light switch, and suddenly you find it, flip it on, and then you discover the hallway you passed through is papered with the novel you've written.
The essential thing is to work in a state of mind that approaches prayer.
The bright dawn flooded the room, and swept the fantastic shadows into dusky corners, where they lay shuddering.
You don't make a film because the audience is ready for it. You make a film because you have questions that are in your gut.
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