God proved His love on the Cross. When Christ hung, and bled, and died, it was God saying to the world, 'I love you.'
Billy GrahamRead
All the masterpieces of art contain both light and shadow. A happy life is not one filled with only sunshine, but one which uses both light and shadow to produce beauty.
Interpretation
A fulfilling life encompasses both joy and challenges, much like art requires both light and shadow to create beauty.
This quote emphasizes the idea that a meaningful life is not solely comprised of happiness and success, but also includes struggles and hardships. Just as an artist incorporates both light and shadow to enhance the beauty of a masterpiece, individuals must embrace all aspects of life to fully appreciate its richness and depth.
In practice
In a motivational speech about resilience and balance during tough times.
God proved His love on the Cross. When Christ hung, and bled, and died, it was God saying to the world, 'I love you.'
The wonderful news is that our Lord is a God of mercy, and He responds to repentance.
Don't ever hesitate to take to [God] whatever is on your heart. He already knows it anyway, but He doesn't want you to bear its pain or celebrate its joy alone.
God will not force himself upon us against our will. If we want his love, we need to believe in him. We need to make a definite, positive act of commitment and surrender to the love of God. No one can do it for us.
Success in God's eyes is faithfulness to His calling.
Heaven doesn't make this life less important; it makes it more important.
Colors in painting are as allurements for persuading the eyes, as the sweetness of meter is in poetry.
One thing is certain: the arts keep you alive. They stimulate, encourage, challenge, and, most of all, guarantee a future free from boredom. They allow growth and even demand it in that time of life we call maturity but too often enter it with a childish faith that what we learned in youth is sustenance enough for the years when most men are mentally famished but won't admit it—or when they are apt to curb their hunger with the sops of complacency, security, and the assurance of death.
I was never interested in looking at myself in an aesthetic mirror. My intention was always to get away from myself, though I knew perfectly well that I was using myself. Call it a little game between 'I' and 'me.'
Listen to the great guitarists of the Fifties. They didn't do that nasty sort of industrial distortion. They played musical compositions as solos - Scotty Moore, Cliff Gallup, Django Reinhardt. There wasn't a bad note in any of those solos. I listened to that and stayed with those rules.
Every song is like a kid. How can you have that many kids and have a favorite? Which one do I like to hang most with? Probably the one that I haven't hung most with recently.
For my art, there is a common theme most of the time: it is using the things we can see to search for the world we cannot see.
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