The small wisdom is like water in a glass: clear, transparent, pure. The great wisdom is like the water in the sea: dark, mysterious, impenetrable.
Rabindranath TagoreRead
Melody and harmony are like lines and colors in pictures. A simple linear picture may be completely beautiful; the introduction of color may make it vague and insignificant. Yet color may, by combination with lines, create great pictures, so long as it does not smother and destroy their value.
Interpretation
The balance of elements in art determines its beauty and significance.
Rabindranath Tagore's quote highlights the intricate relationship between melody and harmony in music, and lines and colors in visual art. He suggests that while a simple and linear composition can be beautiful on its own, the addition of color should enhance rather than overwhelm the foundational elements, illustrating the importance of balance and interplay in artistic creation.
In practice
In a workshop discussing art composition, one might say, 'As Tagore noted, melody and harmony are essential to creating beauty in art.'
The small wisdom is like water in a glass: clear, transparent, pure. The great wisdom is like the water in the sea: dark, mysterious, impenetrable.
Music fills the infinite between two souls. This has been muffled by the mist of our daily habits.
True deliverance of man is the deliverance from Avidya i.e. ignorance. It is not in destroying anything that is positive and real, for that cannot be possible, but that which is negative, which obstructs our vision of truth.
The same stream of life that runs through my veins night and day runs through the world and dances in rhythmic measures. It is the same life that shoots in joy through the dust of the earth in numberless blades of grass and breaks into tumultuous waves of leaves and flowers.
If you cry because the sun has gone out of your life, your tears will prevent you from seeing the stars.
To be outspoken is easy when you do not wait to speak the complete truth.
I have never started a novel - I mean except the first, when I was starting a novel just to start a novel - I've never written one without rereading Victory. It opens up the possibilities of a novel. It makes it seem worth doing.
If you have never wept bitter tears because a wonderful story has come to an end and you must take your leave of the characters with whom you have shared so many adventures, whom you have loved and admired, for whom you have hoped and feared, and without whose company life seems empty and meaningless. If such things have not been part of your own experience, you probably won't understand what Bastian did next.
I never intended for the Monster Ball to be a religious experience, it just became one.
The first thing I did with my very first camera was climb Mt. Fuji. Climbing Mt. Fuji is a lesson in determination and moderation. It would be fair to ask if I took the moderation part to heart. But it certainly was a lesson in respecting your camera. If I was going to live with this thing, I was going to have to think about what that meant. There were not going to be any pictures without it.
I think, with age, you learn that it comes in bursts and you've got no control over it. I'm not one of those people who says, 'I've got to write a song every day.' I just store up ideas, and really I have to wait until it finds me; I know when I'm ready to write. It used to frustrate me, but it doesn't any more. It's just how it is.
A writer should write with his eyes and a painter paint with his ears.
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