If you have the guts to be yourself, other people'll pay your price.
John UpdikeRead
Memories, impressions and emotions from the first 20 years on earth are most writers' main material; little that comes afterward is quite so rich and resonant.
Interpretation
The early experiences in life significantly shape a writer's creative material.
John Updike emphasizes the idea that the formative years of a writer's life, especially the first two decades, provide a wealth of vivid memories, impressions, and emotions that are more compelling than experiences encountered later. These early experiences serve as the foundation of their artistic expression and creativity, suggesting that the richness of youth is unparalleled in its influence on a writer's work.
In practice
In an essay about the importance of childhood in shaping one's creative voice.
If you have the guts to be yourself, other people'll pay your price.
Dost thou love life? Then do not squander time, for that's the stuff life is made of. _x000D_ _x000D_ Suspect each moment, for it is a thief, tiptoeing away with more than it brings.
Museums and bookstores should feel, I think, like vacant lots - places where the demands on us are our own demands, where the spirit can find exercise in unsupervised play.
But it is just two lovers, holding hands and in a hurry to reach their car, their locked hands a starfish leaping through the dark.
The reader knows the writer better than he knows himself; but the writer's physical presence is light from a star that has moved on.
To guarantee the individual maximum freedom within a social frame of minimal laws ensures - if not happiness - its hopeful pursuit.
When people say, 'I don't get art' ... that means art is working.
To give emphasis only to beauty makes me think of a mathematics that deals with positive numbers only.
Authors are far closer to the truths enfolded in mystery than ordinary people, because of that very audacity of imagination which irritates their plodding critics. As only those who dare to make mistakes succeed greatly, only those who shake free the wings of their imagination brush, once in a way, the secrets of the great pale world. If such writers go wrong, it is not for the mere brains to tell them so
Hip-hop was indifferent to Broadway. We didn't need Broadway, but I think Broadway needed hip-hop.
The gamble of literature is that I make the best work I can; the most truthful, the most representative of how I see things. I try and do that and then I put it out there and say to you, "What do you think?" I hope that you think well of it, obviously.
The urge to make art or contemplate philosophy does not go away when you are sick. Those urges just become transfigured by illness.
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