The memory of things gone is important to a jazz musician. Things like old folks singing in the moonlight in the back yard on a hot night or something said long ago.
Louis ArmstrongRead
Very few of the men whose names have become great in the early pioneering of jazz and of swing were trained in music at all. They were born musicians: they felt their music and played by ear and memory. That was the way it was with the great Dixieland Five.
Interpretation
True musical talent often comes from innate ability rather than formal training.
In this quote, Louis Armstrong emphasizes the idea that many of the greatest jazz and swing musicians were not formally trained in music theory but were instead gifted with an innate sense of music. They played from their heart and memory, showing that true artistry is often driven by passion and natural talent rather than conventional education.
In practice
This quote could be shared in a discussion about the importance of natural talent in creative fields.
The memory of things gone is important to a jazz musician. Things like old folks singing in the moonlight in the back yard on a hot night or something said long ago.
Making money ain't nothing exciting to me. You might be able to buy a little better booze than the wino on the corner. But you get sick just like the next cat and when you die you're just as graveyard dead as he is.
My whole life, my whole soul, my whole spirit is to blow that horn.
I've Got the World on a String.
It's America's classical music ... this becomes our tradition ... the bottom line of any country in the world is what did we contribute to the world? ... we contributed Louis Armstrong
When I was young and very green, I worte that tune, Sister Kate, and someone said that's fine, let me publish it for you. I'll give you fifty dollars. I didn't know nothing about papers, and business, and I sold it outright.
I worked hard all my life as far as this music business. I dreamed of the day when I could go to New York and feel comfortable and they could come out here and be comfortable.
Paul Ryan's love for Rage Against The Machine is amusing, because he is the embodiment of the machine that our music has been raging against for two decades
I'd like to think that when I sing a song, I can let you know all about the heartbreak, struggle, lies and kicks in the ass I've gotten over the years for being black and everything else, without actually saying a word about it.
Without Tony Allen, there would have been no Afrobeat.
I was signed to a record label at the same time as my friend Elliot Murphy, who makes great records to this day.
Rock'n'roll as a genre is different from pop and hip hop: it is about bands, and that for me suggests brotherhood, family, friendship and community.
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