The memory of things gone is important to a jazz musician. Things like old folks singing in the moonlight in the back yard on a hot night or something said long ago.
Louis ArmstrongRead
Very few of the men whose names have become great in the early pioneering of jazz and of swing were trained in music at all. They were born musicians: they felt their music and played by ear and memory. That was the way it was with the great Dixieland Five.
Interpretation
True musical talent often comes from innate ability rather than formal training.
In this quote, Louis Armstrong emphasizes the idea that many of the greatest jazz and swing musicians were not formally trained in music theory but were instead gifted with an innate sense of music. They played from their heart and memory, showing that true artistry is often driven by passion and natural talent rather than conventional education.
In practice
This quote could be shared in a discussion about the importance of natural talent in creative fields.
The memory of things gone is important to a jazz musician. Things like old folks singing in the moonlight in the back yard on a hot night or something said long ago.
Making money ain't nothing exciting to me. You might be able to buy a little better booze than the wino on the corner. But you get sick just like the next cat and when you die you're just as graveyard dead as he is.
My whole life, my whole soul, my whole spirit is to blow that horn.
I've Got the World on a String.
It's America's classical music ... this becomes our tradition ... the bottom line of any country in the world is what did we contribute to the world? ... we contributed Louis Armstrong
When I was young and very green, I worte that tune, Sister Kate, and someone said that's fine, let me publish it for you. I'll give you fifty dollars. I didn't know nothing about papers, and business, and I sold it outright.
Some kids went to the movies for escape. We found it with jazz. This is where we got religion. It was a kind of raw spiritual anarchy.
Hip hop is usually a bunch of guys talking to a bunch of guys, in my experience. It's homosocial, not homosexual, in that it's almost always all one gender in a room where it's being created. That locker-room environment has an impact on the language. I think the music suffers 'cause it allows an almost cartoonish level of misogyny.
When you pay your money to see me, I want you to have the best concert you can have from me.
If it's illegal to rock and roll, throw my ass in jail!
You know, traditional country music is something that's going to be around forever... I'm not worried about it.
My definition of Blues is that it's a musical form which is very disciplined and structured coupled with a state of mind, and you can have either of those things but it's the two together that make it what it is. And you need to be a student for one, and a human being for the other, but those things alone don't do it.
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