The memory of things gone is important to a jazz musician. Things like old folks singing in the moonlight in the back yard on a hot night or something said long ago.
Louis ArmstrongRead
My whole life, my whole soul, my whole spirit is to blow that horn.
Interpretation
This quote reflects the deep dedication and passion that an artist can have for their craft.
In this quote, Louis Armstrong expresses the entirety of his being devoted to playing the trumpet, symbolizing how deeply intertwined his identity is with his art. It highlights the profound connection an artist can have with their work, suggesting that creative expression is not just a job, but a life-long mission that encompasses all aspects of their existence.
In practice
This quote can be used in a speech about the importance of following one's passion.
The memory of things gone is important to a jazz musician. Things like old folks singing in the moonlight in the back yard on a hot night or something said long ago.
Making money ain't nothing exciting to me. You might be able to buy a little better booze than the wino on the corner. But you get sick just like the next cat and when you die you're just as graveyard dead as he is.
Very few of the men whose names have become great in the early pioneering of jazz and of swing were trained in music at all. They were born musicians: they felt their music and played by ear and memory. That was the way it was with the great Dixieland Five.
I've Got the World on a String.
It's America's classical music ... this becomes our tradition ... the bottom line of any country in the world is what did we contribute to the world? ... we contributed Louis Armstrong
When I was young and very green, I worte that tune, Sister Kate, and someone said that's fine, let me publish it for you. I'll give you fifty dollars. I didn't know nothing about papers, and business, and I sold it outright.
The greatest voice of all time.
I directed my music to the teen-agers. I was 30 years old when I did 'Maybellene.' My school days had long been over when I did 'School Day,' but I was thinking of them.
Of emotions, of love, of breakup, of love and hate and death and dying, mama, apple pie, and the whole thing. It covers a lot of territory, country music does.
I never sang for a Grammy, for money, for fame. That's my whole purpose for singing: for people, for the fans.
Michael Bloomfield came in after rock n roll started, and he was a great guitarist. He idolized me - I know that. What else can I say ? he was a young, excitable man. To him, drugs were plentiful, and that was no good. I talked to him like he was a son of mine. He was a great and he was gonna be greater. But he was part of the "in-crowd" and so he never got there
Certainly tolerance and acceptance were at the forefront of my music.
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