Everything is a subject. Every subject has a rhythm. To feel it is the raison detre. The photograph is a fixed moment of such a raison detre, which lives on in itself.
Andre KerteszRead
The moment always dictates in my work. What I feel, I do. This is the most important thing for me. Everybody can look, but they don't necessarily see. I never calculate or consider; I see a situation and I know that it's right, even if I have to go back to get the proper lighting.
Interpretation
The quote emphasizes the importance of intuition and immediate perception in the creative process.
In this quote, Andre Kertesz reflects on the spontaneity and instinctual nature of his artistic work. He suggests that true artistic expression is not about careful planning or calculation but rather about being attuned to the moment and trusting one's own feelings and perceptions. The ability to 'see' beyond the obvious distinguishes true artists, as they can capture deeper truths about their subjects and surroundings.
In practice
In an art class, when discussing artistic processes and the role of emotion in creation.
Everything is a subject. Every subject has a rhythm. To feel it is the raison detre. The photograph is a fixed moment of such a raison detre, which lives on in itself.
If you want to write you should learn the alphabet. You write and write and in the end you hava a beautiful, perfect alphabet. But it isn’t the alphabed that is important. The important thing is what you are writing, what you are expressing. The same thing goes for photography. Photographs can be technically perfect and even beautiful, but they have no expression.
Music in movies is all about dissonance and consonance, tension and release.
We are here to abet creation and to witness to it, to notice each other's beautiful face and complex nature so that creation need not play to an empty house.
For me, drum elements are like hieroglyphics - I think of a certain physical figure, and a little three-dimensional glyph will appear in my mind as I'm playing.
I often use nameless places in my work as a way of allowing the readers to create more of the novel and to make it potentially about their experiences, what they know, a city that they have perhaps seen on television.
The Singaporean speculative tradition is different. Singapore doesn't conceive itself as the centre of the world or the one country that's going to save the world, so there's a different tone that comes out in the way speculative fiction is done. That's refreshing to read.
When you do one more 'Cinderella' or whatever, what is there to learn? Every part in the repertoire has a good side and a bad side, and the more often you do the same ballet, the more often the bad side comes out. If you want to give dance life, you must give it fresh food, not keep going back to the garbage to look for old scraps.
Subscribe for the occasional hand-picked quote. No noise.