I take six or seven years to write really small books. There is a kind of aesthetic of leanness, of brevity.
Mohsin HamidRead
I often use nameless places in my work as a way of allowing the readers to create more of the novel and to make it potentially about their experiences, what they know, a city that they have perhaps seen on television.
Interpretation
The author uses unspecified locations in their writing to let readers connect personally with the story.
Mohsin Hamid suggests that by setting his narratives in nameless or generic locations, he invites readers to engage their imagination and relate the story to their own experiences. This technique creates a more immersive and personal reading experience, allowing individuals to visualize the settings based on their own memories or associations, thus making the narrative resonate more deeply.
In practice
In a book club discussion about reader interpretation of literature.
I take six or seven years to write really small books. There is a kind of aesthetic of leanness, of brevity.
When the forces are aligning against hybridity, it harms everyone, as we are all migrants. Growing up in Pakistan, I know just how oppressive that kind of puritanical mindset can be.
Some of my relatives held on to imagined memories the way homeless people hold onto lottery tickets. Nostalgia was their crack cocaine, if you will, and my childhood was littered with the consequences of their addiction : unserviceable debts, squabbles over inheritances, the odd alcoholic or suicide.
Stories helped me unite parts of my existence that might otherwise have seemed irrevocably split by geography and time. And stories helped me find a future in which I, such a mongrel, could be comfortable.
I think there's a growing courage among the younger generation of American writers. Because of the more superficial treatment of characters taking place in cinema, they have had to deal with that by digging deeper into who these people are.
Part of the reason people abroad resent the United States is something Americans can do very little about: envy. The richest, most powerful country in the world attracts the jealousy of others in much the same way that the richest, most powerful man in a small town attracts the jealousy of others.
Relating a person to the whole world: that is the meaning of cinema.
Movie-wise, there is nothing I wouldn't do again. It's not possible to make one perfect movie every time.
The flat sound of my wooden clogs on the cobblestones, deep, hollow and powerful, is the note I seek in my painting.
There are only 24 hours in a day, and my top priority is working on my films, but I love short film experiments.
A created thing is never invented and it is never true: it is always and ever itself.
I believe in plot, in development of character, in the effect of the passage of time, in a good story - better than something you might find in the newspaper. And I believe a novel should be as complicated and involved as you're capable of making it.
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