The way a character looks reflects what's on the inside. I can make myself look really bad, and I can make myself look kind of gorgeous. It's not about me; it's about the character.
Toni ColletteRead
When I watch a movie, someone's beauty isn't what engages me: it's what's going on internally. And I imagine it's what the audience thinks, too.
Interpretation
True beauty lies in the depth of emotions and character rather than superficial appearances.
Toni Collette's quote emphasizes that in the realm of film and perhaps in life, the internal struggles and characteristics of a person are far more compelling than their physical beauty. This highlights the importance of emotional depth and authenticity in storytelling, suggesting that audiences connect more with the narrative and emotional experiences than with mere appearances.
In practice
During a film discussion, you could use this quote to illustrate the importance of character development.
The way a character looks reflects what's on the inside. I can make myself look really bad, and I can make myself look kind of gorgeous. It's not about me; it's about the character.
I really only take roles that I love and that I have some kind of innate compulsion or need to tell that story. Although it's almost like I have no control over it. It's like they choose me.
The people who are most attractive to me are those who feel most comfortable in their skin - there's a sense of self-acceptance.
I just never want to repeat myself. I also don't want to be bored in life. The great luxury of being an actor is you get to be different people, and I would hate to be repetitive.
I love working. I love it! It makes me feel awake and alive and appreciative, as does my family, but in a different way. If I was told I couldn't do it, I think I would wither and die.
I want variety. I want versatility. Otherwise, I'm wasting the opportunity of being an actor, which is all about variation and change.
Creativity helps us realize that we don't have to understand everything. We can enjoy something -feel it and use it- without ever fully comprehending it.
I think each time you start a story or novel or whatever, you are absolutely at the bottom of the ladder all over again. It doesn't matter what you've done before.
For those who were desperate, my camera became an object of hope (...)Throughout my year-long coverage of the monsoon world, my strongest conviction was that I was involved in the fundamentals of life.
I feel like a ghost wandering in a world grown alien. I cannot cast out the old way of writing and I cannot acquire the new. I have made an intense effort to feel the musical manner of today, but it will not come to me.
I have no desire to prove anything by dancing. I have never used it as an outlet or a means of expressing myself. I just dance. I just put my feet in the air and move them around.
I would like to paint the way a bird sings.
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