I really only take roles that I love and that I have some kind of innate compulsion or need to tell that story. Although it's almost like I have no control over it. It's like they choose me.
Toni ColletteRead
The way a character looks reflects what's on the inside. I can make myself look really bad, and I can make myself look kind of gorgeous. It's not about me; it's about the character.
Interpretation
A character's appearance should represent their inner qualities, emphasizing the importance of authenticity over aesthetics.
This quote by Toni Collette highlights the idea that a person's outward appearance, or how a character is portrayed, is a reflection of their inner self. It suggests that true beauty comes from within and that the essence of a character is far more important than superficial looks. The focus is on the authenticity and depth of a character, rather than merely the aesthetics of their appearance.
In practice
During a film discussion about character development.
I really only take roles that I love and that I have some kind of innate compulsion or need to tell that story. Although it's almost like I have no control over it. It's like they choose me.
The people who are most attractive to me are those who feel most comfortable in their skin - there's a sense of self-acceptance.
When I watch a movie, someone's beauty isn't what engages me: it's what's going on internally. And I imagine it's what the audience thinks, too.
I just never want to repeat myself. I also don't want to be bored in life. The great luxury of being an actor is you get to be different people, and I would hate to be repetitive.
I love working. I love it! It makes me feel awake and alive and appreciative, as does my family, but in a different way. If I was told I couldn't do it, I think I would wither and die.
I want variety. I want versatility. Otherwise, I'm wasting the opportunity of being an actor, which is all about variation and change.
The arts especially address the idea of aesthetic experience. An aesthetic experience is one in which your senses are operating at their peak; when you’re present in the current moment; when you’re resonating with the excitement of this thing that you’re experiencing; when you are fully alive.
In my view, the novelist has no right to express his opinions on the things of this world. In creating, he must imitate God: do his job and then shut up.
Of course I want my films to look really good, but every single element is chosen for a reason. It's telling something in the story.
I fell in love with skateboarding because it was individual; there were no teams, there were no captains, there was nothing to perfect. No style that had to be measured. It was completely opposite of what I saw in so many sports. It was creative. And to this day, that's what I love, that's always kept me back to it because it's endless creation.
Between beauty of expression and power of expression there is a difference of function. The first aims at pleasing the senses, the second has a spiritual vitality which for me is more moving and goes deeper than the senses.
Technique in the minds of many is something rigid, something like a formula that you impose on the material; but in the best stories it is something organic, something that grows out of the material, and this being the case, it is different for every story of any account that has ever been written.
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