When you do not know what you are doing and what you are doing is the best - that is inspiration.
Robert BressonRead
My movie is born first in my head, dies on paper; is resuscitated by the living persons and real objects I use, which are killed on film but, placed in a certain order and projected on to a screen, come to life again like flowers in water.
Interpretation
The creative process transforms ideas from the mind into tangible works, giving life to inanimate objects through filmmaking.
In this quote, Robert Bresson reflects on the cyclical nature of artistic creation, where an idea is conceived in the imagination, initially loses its vitality on paper, is infused with life through the actors and objects in the film, and ultimately comes to life again on screen. This illustrates how art breathes existence into its components, similar to how flowers blossom in water, emphasizing the transformative power of filmmaking.
In practice
During a lecture on filmmaking, I shared this quote to illustrate the creative process.
When you do not know what you are doing and what you are doing is the best - that is inspiration.
In the NUDE, all that is not beautiful is obscene.
Cinema, radio, television, magazines are a school of inattention: people look without seeing, listen in without hearing.
Make visible what, without you, might perhaps never have been seen.
The most ordinary word, when put into place, suddenly acquires brilliance. That is the brilliance with which your images must shine.
For me, film-making is combining images and sounds of real things in an order that makes them effective. What I disapprove of is photographing things that are not real. Sets and actors are not real.
I think you just have to be yourself instead of catering your sound to a specific audience, make the music you want to make, and the audience will find you.
On stage, you're not limited at all because you're free in language: language is the source of the imagination. You can travel farther in language than you can in any film.
Yesterday I was thinking about the whole idea of genius and creative people, and the notion that if you create some magical art, somehow that exempts you from having to pay attention to the small things.
Through art alone are we able to emerge from ourselves, to know what another person sees of a universe which is not the same as our own and of which, without art, the landscapes would remain as unknown to us as those that may exist on the moon.
I'm not a pyrotechnical director; I'm not good with all those innovative things. What I am interested in is how actors can touch the heads and hearts of an audience.
I can't think of a single one of my plays that does not represent a coincidence between an external and an internal event. Something outside of me, outside even my own life, something I read in a newspaper or witness on the street, something I see or hear, fascinates me. I see it for its dramatic potential.
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