Movies, they take years of my life, so I'm fortunate that I get to work in a lot of different mediums.
Spike JonzeRead
You make a movie that is about what you want it to be about and let people have their reaction to it.
Interpretation
Create your own narrative and accept others' interpretations.
This quote emphasizes the power of self-expression in art and film, suggesting that creators should focus on conveying their own vision and allow audiences to interpret it in their own ways. It highlights the subjective nature of art, where personal meaning can vary greatly from viewer to viewer.
In practice
During a film festival discussion, you could say this quote to emphasize the importance of personal expression in filmmaking.
Movies, they take years of my life, so I'm fortunate that I get to work in a lot of different mediums.
If you compromise what you're trying to do just a little bit, you'll end up compromising a little more the next day or the next week, and when you lift your head you're suddenly really far away from where you're trying to go.
Whenever I start writing, I try to put together songs that feed the feeling of the movie.
I want to make films without a single clear message, and films that are as close as possible to what it feels like to be alive. At least to me.
I think if something's emotionally real - and I'm not even talking about in movies or in art, but in life - you can't really argue with that, even if your intellectual mind might know differently.
When I'm making stuff, the thing that excites me most is not the result, but the process and trying to do something I've never done before.
The realists do not take the photograph for a 'copy' of reality, but for an emanation of past reality, a magic, not an art.
Music is never stationary; successive forms and styles are only like so many resting-places - like tents pitched and taken down again on the road to the Ideal.
I really - I don't take my work that seriously, and I think that's what keeps me loose. If I try to write, if I catch myself trying to write, I'll fall right on my face. I'll see it. If I see in the prose that I'm - 'Boy, look at me writing,' I rewrite it. I rewrite it because I don't, because I think it's distracting.
Novels are political because in them, we try to identify with people who are not like us. And, in that sense, I like the first-person singular because I have to imitate accurately the voice of someone who is not like me. The third-person singular gives me an authority over a character.
The origins of poetry are clearly rooted in obscurity, in secretiveness, in incantation, in spells that must at once invoke and protect, tell the secret and keep it.
Every writer is a frustrated actor who recites his lines in the hidden auditorium of his skull.
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