We were both very much the same. We were both very impulsive. We both loved life. We both loved shopping. We both had a love of clothes, obviously, because he was the designer that I kind of wore forever and ever.
Interpretation
The quote reflects a deep connection between two individuals who share similar passions and impulsive tendencies.
In this quote, Elton John expresses the strong bond he shares with another person, highlighting their shared impulsivity and love for life and fashion. The mention of shopping and clothing signifies not only their personal tastes but also a mutual understanding and affection that defines their relationship, showcasing how interests can strengthen emotional connections between people.
In practice
During a speech about the importance of friendship, this quote can reinforce the idea of shared experiences.
I don't want to be married. I'm very happy with a civil partnership. If gay people want to get married, or get together, they should have a civil partnership. The word 'marriage,' I think, puts a lot of people off. You get the same equal rights that we do when we have a civil partnership. Heterosexual people get married. We can have civil partnerships.
I just wish more of my fellow queers would come out sometimes. It's nice out here, you know?
At heart I've always been a music fan. That part of me has never changed since I was a little kid, sitting in a room watching a record go round, looking at the colour of the labels.
I hate to say this, but I always listen to the music and the instrumentation first, and then grab on to the lyrics later.
So excuse me forgetting, but these things I do_x000D_ _x000D_ You see I've forgotten, if they're green or they're blue_x000D_ _x000D_ Anyway, the thing is, what I really mean_x000D_ _x000D_ Yours are the sweetest eyes, I've ever seen.
Don't be afraid to let her into your heart and when your down, don't try to carry the whole world on your shoulders.
Coming closer to home, there is so much of jealousy, pride, arrogance, and carping criticism; fathers who rise in anger over small, inconsequential things and make wives weep and children fear.
The main relationship in the whole series was the one between the camera and Fleabag. I had to convince myself that whoever was watching on the other side of the camera was instantly complicit with Fleabag and instantly a friend of hers.
There is a fantasy as old as the modern gay rights movement that if all our skins turned lavender overnight, the majority, confounded by our numbers and our diversity, and recognising a few of our faces, would at once let go of prejudice forevermore.
Often, though, the passivity of the woman's role weighs on me, suffocates me. Rather than wait for his pleasure, I would like to take it, to run wild. Is it that which pushes me into lesbianism? It terrifies me. Do women act thus? Does June go to Henry when she wants him? Does she mount him? Does she wait for him? He guides my inexperienced hands. It is like a forest fire, to be with him. New places of my body are aroused and burnt. He is incendiary. I leave him in an unquenchable fever.
I loved something I made up, something that's just as dead as Melly is. I made a pretty suit of clothes and fell in love with it. And when Ashley came riding along, so handsome, so different, I put that suit on him and made him wear it whether it fitted him or not. And I wouldn't see what he really was. I kept on loving the pretty clothes—and not him at all.
Just because something is unspoken doesn't mean that it disappears.
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