Conductors' careers are made for the most part with 'Romantic' music. 'Classic' music eliminates the conductor; we do not remember him in it.
Igor StravinskyRead
My music is best understood by children and animals.
Interpretation
Stravinsky suggests that the purity and instinctive nature of children and animals resonate more deeply with his music.
Igor Stravinsky implies that his music transcends intellectual barriers, finding its true appreciation in the innocent and unfiltered responses of children and animals. This perspective underscores the idea that art can be understood on a fundamental, emotional level rather than through complex analysis, highlighting the universal nature of music that can speak to the most innocent beings.
In practice
A speech at a music festival highlighting the importance of reaching out to younger audiences.
Conductors' careers are made for the most part with 'Romantic' music. 'Classic' music eliminates the conductor; we do not remember him in it.
The trouble with music appreciation in general is that people are taught to have too much respect for music they should be taught to love it instead.
Invention presupposes imagination but should not be confused with it.
I was born out of due time in the sense that by temperament and talent I should have been more suited for the life of a small Bach, living in anonymity and composing regularly for an established service and for God.
A composer is not only an architect but also an inventor, and he should not build houses in which he cannot live.
Music must be listened to; it is not enough to hear it. A duck hears also.
Dont call me a rapper, I’m an artist. Update your minds. I ‘INCORPORATE’ hip hop elements because I am part MC, but I am all things musical. All things melodically beautiful.
Theater has an incredible capacity to move people to social change, to address issues, to inspire social revolution.
Way before we were scratching pictures on caves or beating rhythms on hollow trees we were perfecting the art of combining our breath and mind and muscles into fluid self-propulsion over wild terrain.
I am trying to counter the fixity of architectures, their stolidity, with elements that give an ineffable immaterial quality.
To build means to make architecture real on the borders of knowledge.
I can't distract myself enough here, for sketches to a new opera are constantly buzzing around in my head, to the extent that I need all my strength to wrest myself from them.
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