You can't kill the past by denying the past. You can kill it only by making it obsolete. And even in that, you have to find honor in the past. You can't hack off pieces of yourself, and expect them to grow again.
Jeff BuckleyRead
I was captured by music at a really early age. I was really captured by it. Everything about it. It was my mother… It was my father… It was my play thing. It was my toy. It was the best thing in my life.
Interpretation
The quote expresses the profound and encompassing love for music as a fundamental part of life.
In this quote, Jeff Buckley reflects on the deep emotional connection he has with music, describing it as an integral and joyous part of his existence. He likens music to both parental figures and cherished possessions, illustrating how it has shaped his life and provided him with comfort and fulfillment from a very young age.
In practice
During a speech at a music festival, you can use this quote to highlight the transformative power of music.
You can't kill the past by denying the past. You can kill it only by making it obsolete. And even in that, you have to find honor in the past. You can't hack off pieces of yourself, and expect them to grow again.
I became a human jukebox, learning all these songs I'd always known, discovering the basics of what I do. The cathartic part was in the essential act of singing. When is it that the voice becomes an elixir? It's during flirting, courtship, sex. Music's all that.
Critics... They're like traffic cops. They say what they have to say, then leave, and another guy moves in ,and he has his say - and it's often just the opposite. The result is either critical acclaim or critical murder, and neither has any bearing on my music or direction.
Grace is what matters. In anything. Especially life, especially growth, tragedy, pain, love, death. About people, that's what matters. That's a quality I admire very greatly. It keeps you from reaching for the gun too quickly; it keeps you from destroying things too foolishly; it sort of keeps you alive and keeps you open for more understanding.
I've always felt that the quality of the voice is where the real content of a song lies. Words only suggest an experience, but the voice is that experience.
I don't see people. I don't see men and women at all. When I see them, I see... their mothers and fathers. I see how old they are inside. Like when I look at the president, or anybody in a record company, or a store owner, I may see a little boy behind the counter with the face of an old man. And that's who I talk to.
Every time you write a poem it’s apocalyptic. You’re revealing who you really are to yourself.
Of the thousands of people, celebrated and unknown, who have sat before my camera, I am often asked who was the most difficult subject, or the easiest, or which picture is my favorite. This last question is like asking a mother which child she likes the most
I've always sought to express a tension in form and meaning in order to achieve a veracity. I have come to the conclusion that the art world has to join us, women artists, not we join it. When women are in leadership roles and gain rewards and recognition, then perhaps 'we' (women and men) can all work together in art world actions.
For me, the 'Three Stoppages' was a first gesture liberating me from the past.
Everything we design is a response to the specific climate and culture of a particular place.
Acting is largely about putting on masks, and music is about removing them.
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