Every play is rhythmic control. If you want an audience to go on a journey, it's rhythmic control. You're crafting when they lean in, when they push back, when they breathe, when they surrender.
George C. WolfeRead
A music serves truth up to you in a really interesting way that allows you to luxuriate in its beauty and, at the same time, to hopefully see yourself in its fragility.
Interpretation
Music reveals deeper truths about life through its beauty and fragility.
In this quote, George C. Wolfe conveys that music has the unique ability to present truths about existence in a captivating manner. It invites listeners to appreciate the aesthetic beauty of music while also reflecting on their own vulnerabilities and the transient nature of life, encouraging a deeper understanding of oneself through the art form.
In practice
In a speech about the power of art, one could quote this to emphasize the emotional impact of music.
Every play is rhythmic control. If you want an audience to go on a journey, it's rhythmic control. You're crafting when they lean in, when they push back, when they breathe, when they surrender.
One of the things I learned very early on was that if you cast the show correctly, and if you've created the right energy in the room, the solution is also in the room. The solution doesn't necessarily come from someone, but if everybody is working in a very steadfast and rigorous way, then everything you're looking for is in the room.
A musical is what happens when text collides with motion collides with song collides with spectacle. And spectacle can be the human heart; it doesn't necessarily have to be a helicopter crashing.
The wonderful thing about theater is that it has so many people involved in the creation of it. The worst thing about theater is that it has so many people involved in the creation of it. That dynamic is thrilling and challenging every time you make a show.
I was raised to believe that other people's suffering was my responsibility.
I think I am the first person of color to direct a major white play on Broadway. In 1993? That's astounding to me. And horrifying to me.
The artist part of me always wants to be appreciated. I read every review. But I never wanted to seek validation by awards or anything controlled by politics.
I grew up like Athena — covered with playing cards instead of armor — and, at the age of seven, materialized on a TV show, doing magic.
Once I stop being a citizen of the U.S.S.R., I will not stop being a Russian poet.
Recently I danced in a video spoof of the song 'Gangnam Style,' and it was quickly banned across multiple Chinese online video platforms. But the story still traveled all over the world, carried in hundreds of international media reports.
I like to write about painting because I think visually. I see my writing as blocks of color before it forms itself. I think I also care about painting because I'm not musical. Painting to me is not a metaphor for writing, but something people do that can never be reduced to words.
Truly great images make all the other millions of images you look at unimportant. You gotta look at an image and understand it in a nanosecond.
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