My future is in my past and my past is my present. I must now make the present my future.
Vladimir HorowitzRead
You have to open the music, so to speak, and see what's behind the notes because the notes are the same whether it is the music of Bach or someone else.
Interpretation
The essence of music lies beyond just the notes; it requires deeper understanding and interpretation.
In this quote, Vladimir Horowitz emphasizes that true appreciation of music involves looking beyond the superficial elements, such as the notes themselves, to uncover the emotions and stories that lie beneath. He suggests that regardless of the composer, the interpretation and depth of understanding are what truly bring music to life.
In practice
In a lecture about musical interpretation, one could use this quote to illustrate the importance of understanding the emotional context of music.
My future is in my past and my past is my present. I must now make the present my future.
I may play the same program from one recital to the next, but I will play it differently, and because it is always different, it is always new.
I must tell you I take terrible risks. Because my playing is very clear, when I make a mistake you hear it. If you want me to play only the notes without any specific dynamics, I will never make one mistake. Never be afraid to dare.
The score is not a bible, and I am never afraid to dare. The music is behind those dots.
Always there should be a little mistake here and there - I am for it. The people who don't do mistakes are cold like ice. It takes risk to make a mistake. If you don't take risk, you are boring.
For me, the intellect is always the guide but not the goal of the performance. Three things have to be coordinated, and not one must stick out. Not too much intellect because it can become scholastic. Not too much heart because it can become schmaltz. Not too much technique because you become a mechanic.
Artists are meant to be madmen, to disturb and shock us.
Dead women tell no tales. Sad men write them down.
Writing is a solitary experience. I'm extremely superstitious. If I talk about the book or name the title out loud before finishing, I feel the energy I need to write will be drained. It's so intimate, I can't even share it with my wife.
Because the writer must be a participant in the scene, while he's writing it — or at least taping it, or even sketching it. Or all three. Probably the closest analogy to the ideal would be a film director/producer who writes his own scripts, does his own camera work and somehow manages to film himself in action, as the protagonist or at least a main character.
In my view, the novelist has no right to express his opinions on the things of this world. In creating, he must imitate God: do his job and then shut up.
Now I realize that from '72 through to about '76, I was the ultimate rock star. I couldn't have been more rock star.
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