My future is in my past and my past is my present. I must now make the present my future.
Vladimir HorowitzRead
I may play the same program from one recital to the next, but I will play it differently, and because it is always different, it is always new.
Interpretation
Every performance of a piece can be unique, reflecting personal growth and interpretation.
Vladimir Horowitz's quote emphasizes the idea that even when performing the same piece of music repeatedly, each rendition holds a new perspective and freshness due to the artist's evolving interpretation and emotional state. It highlights the intrinsic value of artistic expression and the dynamic nature of performance art.
In practice
During a music masterclass, a teacher might quote this to emphasize the importance of personal interpretation.
My future is in my past and my past is my present. I must now make the present my future.
I must tell you I take terrible risks. Because my playing is very clear, when I make a mistake you hear it. If you want me to play only the notes without any specific dynamics, I will never make one mistake. Never be afraid to dare.
The score is not a bible, and I am never afraid to dare. The music is behind those dots.
You have to open the music, so to speak, and see what's behind the notes because the notes are the same whether it is the music of Bach or someone else.
Always there should be a little mistake here and there - I am for it. The people who don't do mistakes are cold like ice. It takes risk to make a mistake. If you don't take risk, you are boring.
For me, the intellect is always the guide but not the goal of the performance. Three things have to be coordinated, and not one must stick out. Not too much intellect because it can become scholastic. Not too much heart because it can become schmaltz. Not too much technique because you become a mechanic.
I am not a performer but occasionally I deliberately work in a public context. Some sculptures need the movement of people around them to work.
Of course I want my films to look really good, but every single element is chosen for a reason. It's telling something in the story.
The sculptor represents the transition from one pose to another he indicates how insensibly the first glides into the second. In his work we still see a part of what was and we discover a part of what is to be.
I enjoy cooking with wine, sometimes I even put it in the food I'm cooking.
My view of actors is that basically they're all harmless lunatics who'd be on the psychiatrist's couch, except that we get this sort of catharsis every six months or so, and we go and be absolutely someone else.
The best way to execute French cooking is to get good and loaded and whack the hell out of a chicken.
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