Although there has always been a hermeneutic problem in Christianity, the hermeneutic question today seems to us a new one.
Paul RicoeurRead
The narrative constructs the identity of the character, what can be called his or her narrative identity, in constructing that of the story told. It is the identity of the story that makes the identity of the character.
Interpretation
The identity of a character in a story is shaped by the narrative, which also reflects the identity of the story itself.
This quote by Paul Ricoeur emphasizes the interdependent relationship between a character's identity and the narrative in which they exist. The character's identity is not only a product of their experiences and actions but is intricately linked to the overarching story that frames these elements, suggesting that understanding a character requires an understanding of the narrative context that defines them.
In practice
In a lecture about character development in literature, this quote can help illustrate the connection between narrative and identity.
Although there has always been a hermeneutic problem in Christianity, the hermeneutic question today seems to us a new one.
If it is true that there is always more than one way of construing a text, it is not true that all interpretations are equal.
But myth is something else than an explanation of the world, of history, and of destiny. Myth expresses in terms of the world - that is, of the other world or the second world - the understanding that man has of himself in relation to the foundation and the limit of his existence. Hence to demythologize is to interpret myth, that is, to relate the objective representations of the myth to the self-understanding which is both shown and concealed in it.
On a cosmic scale, our life is insignificant, yet this brief period when we appear in the world is the time in which all meaningful questions arise.
Testimony demands to be interpreted because of the dialectic of meaning and event that traverses it.
Myth expresses in terms of the world - that is, of the other world or the second world - the understanding that man has of himself in relation to the foundation and the limit of his existence.
The written word is weak. Many people prefer life to it. Life gets your blood going, & it smells good. Writing is mere writing, literature is mere. It appeals only to the subtlest senses—the imagination’s vision, & the imagination’s hearing—& the moral sense, & the intellect. This writing that you do, that so thrills you, that so rocks & exhilarates you, as if you were dancing next to the band, is barely audible to anyone else.
A statement is persuasive and credible either because it is directly self-evident or because it appears to be proved from other statements that are so.
In one word, this ideal is that you are divine.
Anyone can be heroic from time to time, but a gentleman is something you have to be all the time.
So long as you are still worried about what others think of you, you are owned by them. Only when you require no approval from outside yourself can you own yourself.
In theory we understand people, but in practice we can't put up with them, I thought, deal with them for the most part reluctantly and always treat them from our point of view. We should observe and treat people not from our point of view but from all angles, I thought, associate with them in such a way that we can say we associate with them so to speak in a completely unbiased way, which however isn't possible, since we actually are always biased against everybody.
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