A good actor always sets you straight. If you've written a false moment and thought it was probably pretty great, the actor's gonna show you when he gets to that moment. They're the great test of the validity of the material.
Sam ShepardRead
I never considered myself a movie star, and I didn't want to become a movie star, because as soon as you do, you throw away that possibility of playing character. You really do. All of a sudden you're just an entity, you know?
Interpretation
The quote reflects on the trade-off between fame and the ability to fully embody a character.
Sam Shepard expresses his disdain for the label of 'movie star,' implying that such a title limits an actor's ability to immerse themselves in diverse roles. By becoming a recognizable figure, an actor risks being seen merely as their public persona rather than an artist capable of portraying an array of characters with depth and complexity.
In practice
During a film festival panel on acting, one might quote Shepard to illustrate the contrast between fame and artistic integrity.
A good actor always sets you straight. If you've written a false moment and thought it was probably pretty great, the actor's gonna show you when he gets to that moment. They're the great test of the validity of the material.
I stay away from heavy-handed stuff, the good guy and the bad guy. It just doesn't interest me; all it does is create more fences between people, I think.
I hate endings. Just detest them. Beginnings are definitely the most exciting, middles are perplexing and endings are a disaster. β¦ The temptation towards resolution, towards wrapping up the package, seems to me a terrible trap. Why not be more honest with the moment? The most authentic endings are the ones which are already revolving towards another beginning. Thatβs genius.
There are places where writing is acting and acting is writing. I'm not so interested in the divisions. I'm interested in the way things cross over.
Democracy's a very fragile thing. You have to take care of democracy. As soon as you stop being responsible to it and allow it to turn into scare tactics, it's no longer democracy, is it? It's something else. It may be an inch away from totalitarianism.
On stage, you're not limited at all because you're free in language: language is the source of the imagination. You can travel farther in language than you can in any film.
It is a symbol of Irish art. The cracked looking-glass of a servant.
Rock & roll is so great, people should start dying for it. You don't understand. The music gave you back your beat so you could dream...The people just have to die for the music. People are dying for everything else, so why not for music? Die for it. Isn't it pretty? Wouldn't you die for something pretty?
I'm uncomfortable with the focus on the poet and not on the poem.
When you have a reputation for making not only good songs but great albums, that in itself creates added artistic pressure. But, at the end of the day, I guess that pressure is something I welcome.
The whole excitement for writing anything is quite intense. And for a day or two, you think you've done everything extremely well. The problems start on the third day, and continues for the rest of your life.
Black and white might be sufficient. But why deprive yourself of color.
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