I love you more than my own skin and even though you don’t love me the same way, you love me anyways, don’t you? And if you don’t, I’ll always have the hope that you do, and i’m satisfied with that. Love me a little. I adore you.
Frida KahloRead
I never knew I was a surrealist till Andre Breton came to Mexico and told me I was.
Interpretation
Frida Kahlo reflects on her identity as an artist, suggesting that self-awareness often comes from external recognition.
Frida Kahlo's quote highlights the notion that one's understanding of themselves as an artist can be influenced by the perceptions and insights of others. Her realization that she was a surrealist, prompted by André Breton's visit, illustrates how artistic identities are often shaped through dialogue with other artists and critics, revealing a broader perspective on one's work.
In practice
This quote could be used in an art class discussion to explore how artists find their identities.
I love you more than my own skin and even though you don’t love me the same way, you love me anyways, don’t you? And if you don’t, I’ll always have the hope that you do, and i’m satisfied with that. Love me a little. I adore you.
Passion is the bridge that takes you from pain to change.
My blood is a miracle that, from my veins, crosses the air in my heart into yours.
I hope the exit is joyful and i hope never to return.
I paint my own reality. The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration.
To paint is the most terrific thing that there is, but to do it well is very difficult.
Escape? There is one unwatched way: your eyes. O Beauty! Keep me good that secret gate.
When I am shooting a film I never think of how I want to shoot something; I simply shoot it.
I want to sing more in Spanish. I want to sing the songs of Granados; the songs of Montsalvatge. To do things that truly I've not done before.
Look, architecture has a lot of places to hide behind, a lot of excuses. "The client made me do this." "The city made me do this." "Oh, the budget." I don't believe that anymore.
Commas in The New Yorker fall with the precision of knives in a circus act, outlining the victim.
Every artist is an unhappy lover. And unhappy lovers want to tell their story.
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