No machines will ever truly fully figure the brain out, because the brain's performance is constantly altered or else constrained by this inanimate, rogue artifact you can't control, namely, speech.
Tom WolfeRead
The newspaper is, in fact, very bad for one's prose style. That's why I gravitated towards feature stories where you get a little more leeway in the writing style.
Interpretation
The quote emphasizes that traditional journalism can restrict creative writing, prompting the author to favor more flexible writing forms.
Tom Wolfe's quote reflects his belief that the rigid structure and style of newspaper writing can stifle an author's prose quality. He suggests that feature stories offer greater freedom, allowing writers to express themselves with more creativity and nuance, which is essential for developing a unique voice in writing.
In practice
In a workshop on creative writing where flexibility is encouraged.
No machines will ever truly fully figure the brain out, because the brain's performance is constantly altered or else constrained by this inanimate, rogue artifact you can't control, namely, speech.
And - of course! - the Non-people. The whole freaking world was full of people who were bound to tell you they weren't qualified to do this or that but they were determined to go ahead and do just that thing anyway.
The whole conviction of my life now rests upon the belief that loneliness, far from being a rare and curious phenomenon, peculiar to myself and to a few other solitary men, is the central and inevitable fact of human existence.
Driving a stock car does not require much handling ability, at least not as compared to Grand Prix racing, because the tracks are simple banked ovals and there is almost no shifting of gears. So, qualifying becomes a test of raw nerve - of how fast a man is willing to take a curve.
I have discovered that for me - now, maybe it doesn't work for everybody - for me, it is much more effective to arrive at any situation as a man from Mars than to try to fit in.
There has been a time on earth when poets had been young and dead and famous - and were men. But now the poet as the tragic child of grandeur and destiny had changed. The child of genius was a woman, now, and the man was gone.
I make clothes, women make fashion.
It is a delicious thing to write, to be no longer yourself but to move in an entire universe of your own creating. Today, for instance, as man and woman, both lover and mistress, I rode in a forest on an autumn afternoon under the yellow leaves, and I was also the horses, the leaves, the wind, the words my people uttered, even the red sun that made them almost close their love-drowned eyes.
Every poem breaks a silence that had to be overcome.
To me, poetry is somebody standing up, so to speak, and saying, with as little concealment as possible, what it is for him or her to be on earth at this moment
I don't need to manufacture trauma in my life to be creative. I have a big enough reservoir of sadness or emotional trauma to last me.
This is the beauty I want. Beauty has got to be astonishing, astounding-- it's got to burst in on you like a dream, like the exquisite eyes of a girl.
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