Nobody wanted your dance, Nobody wanted your strange glitter, your floundering Drowning life and your effort to save yourself, Treading water, dancing the dark turmoil, Looking for something to give.
Interpretation
The quote expresses feelings of isolation and the struggle for self-expression amidst turmoil.
Ted Hughes's quote reflects the profound struggle of an individual striving to express themselves creatively while grappling with inner chaos and feelings of inadequacy. It conveys a sense of desperation in seeking acknowledgment and connection from others, illustrating the challenges of articulating one's emotions and the desire for meaning in a turbulent existence.
In practice
In a speech on the importance of mental health, one might use this quote to illustrate the hidden struggles many face.
...imagine what you are writing about. See it and live it. Do not think it up laboriously, as if you were working out mental arithmetic. Just look at it, touch it, smell it, listen to it, turn yourself into it. When you do this, the words look after themselves, like magic.
The inmost spirit of poetry, in other words, is at bottom, in every recorded case, the voice of pain β and the physical body, so to speak, of poetry, is the treatment by which the poet tries to reconcile that pain with the world.
Havenβt you heard of the music of the spheres?β asked the dragon. βItβs the music that space makes to itself. All the spirits inside all the stars are singing. Iβm a star spirit. I sing too. The music of the spheres is what makes space so peaceful.
You solve it as you get older, when you reach the point where you've tasted so much that you can somehow sacrifice certain things more easily, and you have a more tolerant view of things like possessiveness (your own) and a broader acceptance of the pains and the losses.
And the elephant sings deep in the forest-maze_x000D_ _x000D_ About a star of deathless and painless peace_x000D_ _x000D_ But no astronomer can find where it is.
The real mystery is this strange need. Why can't we just hide it and shut up? Why do we have to blab? Why do human beings need to confess?
I know some things when I start. I know, let's say, that the play is going to be a 1970s or a 1930s play, and it's going to be about a piano, but that's it. I slowly discover who the characters are as I go along.
We are the sons of Sorrow; we are the poets and the prophets and the musicians.
When asked how she knows when her writing is where she wants it to be: "I know when it's the best I can do. It may not be the best there is. Another writer may do it much better. But I know when it's the best I can do. I know that one of the great arts that the writer develops is the art of saying, 'No. No, I'm finished. Bye.' And leaving it alone. I will not write it into the ground. I will not write the life out of it. I won't do that."
I think 2-D animation disappeared from Disney because they made so many uninteresting films. They became very conservative in the way they created them. It's too bad. I thought 2-D and 3-D could coexist happily.
When I am asked about influences, I always say I bow down to Fred Astaire, because when you look at him dancing you never look at his extremities, do you? You look at his centre. What you never see is the hours of work that went into the routines, you just see the breathtaking spirit and freedom.
That's how I make work. Along the way, I take notes, I read about history and popular culture. Sometimes I act out things in the studio. I go back to my mother's hair salon so I can hear three voices going all at once. I pull inspiration from everything.
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