The idea of some people being less than people is poison to any society and needs to be named as such in order to halt its spread before it turns the soul of a society septic.
Richard FlanaganRead
After writing a novel, what is there to say? If a novelist could say it in a maxim, they wouldn't need 120,000 words, several years and sundry characters, plots and subplots, and so on. I'd much rather listen always.
Interpretation
This quote suggests that the depth and complexity of a novel cannot be encapsulated in a simple saying.
Richard Flanagan's quote reflects on the intricate nature of novel writing, emphasizing that a simple maxim cannot convey the full experience of a story, which often requires extensive narrative development to explore themes, characters, and the human condition. It suggests a preference for listening and experiencing stories rather than trying to summarize them in brief phrases.
In practice
This quote can be used in a discussion about the art of writing novels during a literary workshop.
The idea of some people being less than people is poison to any society and needs to be named as such in order to halt its spread before it turns the soul of a society septic.
I never know what I am writing. The moment you know what you're writing, you're writing nothing worth reading.
My father was a Japanese prisoner of war, a survivor of the Thai-Burma Death Railway, built by a quarter of a million slave labourers in 1943. Between 100,000 and 200,000 died.
If 30 Australians drowned in Sydney Harbour, it would be a national tragedy. But when 30 or more refugees drown off the Australian coast, it is a political question.
Is it easier for a man to live his life again as a fish, than to accept the wonder of being human? So alone, so frightened, so wanting for what we are afraid to give tongue to.
I do not share the pessimism of the age about the novel. They are one of our greatest spiritual, aesthetic and intellectual inventions. As a species it is story that distinguishes us, and one of the supreme expressions of story is the novel. Novels are not content. Nor are they are a mirror to life or an explanation of life or a guide to life. Novels are life, or they are nothing.
What do I care if you are good? Be beautiful! and be sad!
All the senses awaken and fall into harmony in poetic reverie. Poetic reverie listens to this polyphony of the senses, and the poetic consciousness must record it.
From the very early stage when I started doing performance art in the '70s, the general attitude - not just me, but also my colleagues - was that there should not be any documentation, that the performance itself is artwork and there should be no documentation.
I paint people, not because of what they are like, not exactly in spite of what they are like, but how they happen to be.
The mark of all good art is not that the thing done is done exactly or finely, for machinery may do as much, but that it is worked out with the head and the workman's heart.
A writer lives in awe of words, for they can be cruel or kind, and they can change their meanings right in front of you. They pick up flavors and odors like butter in a refrigerator.
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