Childhood lasts all through life. It returns to animate broad sections of adult life... Poets will help us to find this living childhood within us, this permanent, durable immobile world.
Gaston BachelardRead
All the senses awaken and fall into harmony in poetic reverie. Poetic reverie listens to this polyphony of the senses, and the poetic consciousness must record it.
Interpretation
This quote suggests that poetry connects all of our senses and captures the beauty of their harmony.
Gaston Bachelard's quote reflects the idea that poetry is an immersive experience where all human senses engage and resonate together. In a state of 'poetic reverie,' one listens to and appreciates the myriad sounds and sensations of life, leading to a deeper awareness and understanding that a poetic consciousness thrives on. This implies that the role of poetry is not just to express thoughts but to record the rich tapestry of sensory experiences that life presents.
In practice
This quote can be used to open a discussion about the role of the senses in artistic creation.
Childhood lasts all through life. It returns to animate broad sections of adult life... Poets will help us to find this living childhood within us, this permanent, durable immobile world.
Of course, any simplification runs the risk of mutilating reality; but it helps us establish perspectives.
Nobody knows that in reading we are re-living our temptations to be a poet. All readers who have a certain passion for reading, nurture and repress, through reading, the desire to become a writer.
Ideas are refined and multiplied in the commerce of minds. In their splendor, images effect a very simple communion of souls.
In order to dream so far, is it enough to read? Isn't it necessary to write? Write as in our schoolboy past, in those days when, as Bonnoure says, the letters wrote themselves one by one, either in their gibbosity or else in their pretentious elegance? In those days, spelling was a drama, our drama of culture at work in the interior of a word.
How is it possible not to feel that there is communication between our solitude as a dreamer and the solitudes of childhood? And it is no accident that, in a tranquil reverie, we often follow the slope which returns us to our childhood solitudes.
When the artist is alive in any person, whatever his kind of work may be, he becomes an inventive, searching, daring, self-expressing creature.
Such labour'd nothings, in so strange a style, Amaze th' unlearn'd and make the learned smile.
The most important thing is you can't write what you wouldn't read for pleasure. It's a mistake to analyze the market thinking you can write whatever is hot. You can't say you're going to write romance when you don't even like it. You need to write what you would read if you expect anybody else to read it.
The 3D world allows you to engage even more with a film because you're somehow drawn into the landscape or the universe of that scene. Even when it's two people talking at a table, you feel like you're a third party.
My next book - each one while I'm working on it - dances in my mind and thrills me at every turn. If it didn't, why would I write it?
No one can be an artist without a rich inner life.
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