The first principle of architectural beauty is that the essential lines of a construction be determined by a perfect appropriateness to its use.
Can one think that because we are engineers, beauty does not preoccupy us or that we do not try to build beautiful, as well as solid and long lasting structures? Aren't the genuine functions of strength always in keeping with unwritten conditions of harmony? ... Besides, there is an attraction, a special charm in the colossal to which ordinary theories of art do not apply.
Interpretation
What this quote means
Eiffel emphasizes that engineering is not just about functionality but also about creating beauty and harmony in structures.
In this quote, Gustave Eiffel highlights the symbiotic relationship between engineering and art. He argues that engineers are not solely focused on the technical aspects of their work but also strive to create aesthetically pleasing structures. Eiffel believes that true strength in engineering aligns with principles of beauty and harmony, suggesting that the most enduring structures are those that resonate with both function and artistry. He also acknowledges the unique appeal of monumental works that transcend conventional artistic theories.
Themes
In practice
Example use cases
This quote can be shared at an engineering conference to highlight the importance of aesthetics in design.
More from Gustave Eiffel
All quotes →Ah, bien je prétends que les courbes des quatre areêtes du monument, telles que le calcul les a fournies, donneront une grand impression de force et de beauté._x000D_ _x000D_ Well, I think the curves of the four pillars of the monument, as the calculations have provided them, give it a great sense of force and beauty.
It seems to me that it had no other rationale than to show that we are not simply the country of entertainers, but also that of engineers and builders called from across the world to build bridges, viaducts, stations and major monuments of modern industry, the Eiffel Tower deserves to be treated with consideration.
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