The first principle of architectural beauty is that the essential lines of a construction be determined by a perfect appropriateness to its use.
Gustave EiffelRead
Ah, bien je prétends que les courbes des quatre areêtes du monument, telles que le calcul les a fournies, donneront une grand impression de force et de beauté._x000D_ _x000D_ Well, I think the curves of the four pillars of the monument, as the calculations have provided them, give it a great sense of force and beauty.
Interpretation
This quote highlights the interplay of mathematical precision and aesthetic beauty in design.
Gustave Eiffel emphasizes that the curves of the pillars in his monument are not just a result of artistic vision, but are also grounded in precise calculations. This blend of strength and beauty reflects the idea that great architecture marries functionality with aesthetic appeal, showcasing how science and art can coexist harmoniously.
In practice
In a presentation about architectural design, to illustrate the importance of both beauty and strength in structures.
The first principle of architectural beauty is that the essential lines of a construction be determined by a perfect appropriateness to its use.
It seems to me that it had no other rationale than to show that we are not simply the country of entertainers, but also that of engineers and builders called from across the world to build bridges, viaducts, stations and major monuments of modern industry, the Eiffel Tower deserves to be treated with consideration.
Can one think that because we are engineers, beauty does not preoccupy us or that we do not try to build beautiful, as well as solid and long lasting structures? Aren't the genuine functions of strength always in keeping with unwritten conditions of harmony? ... Besides, there is an attraction, a special charm in the colossal to which ordinary theories of art do not apply.
There are neither good nor bad subjects. From the point of view of pure Art, you could almost establish it as an axiom that the subject is irrelevant, style itself being an absolute manner of seeing things.
Life is an illusion. I am held together in the nothingness by art.
Every animator is really an actor performing in slow motion, living the character a drawing at a time.
I think cinema, movies, and magic have always been closely associated. The very earliest people who made film were magicians.
Guided only by their feeling for symmetry, simplicity, and generality, and an indefinable sense of the fitness of things, creative mathematicians now, as in the past, are inspired by the art of mathematics rather than by any prospect of ultimate usefulness.
The artist is nothing without the gift, but the gift is nothing without work.
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