Don't be so anxious about it,' she laughed. 'I'm not used to being loved. I wouldn't know what to do; I never got the trick of it.' She looked down at him, shy and fatigued. 'So here we are. I told you years ago that I had the makings of Cinderella.' He took her hand; she drew it back instinctively and then replaced it in his. 'Beg your pardon. Not even used to being touched. But I'm not afraid of you, if you stay quiet and don't move suddenly.
One hurries through, even though there's time; the past, the continent, is behind; the future is the glowing mouth in the side of the ship; the dim, turbulent alley is too confusedly the present.
Interpretation
What this quote means
This quote reflects on the nature of time and our experience of it, emphasizing our tendency to rush through life despite the presence of time.
F. Scott Fitzgerald's quote encapsulates the tension between past, present, and future, suggesting that while we often hurry through life, we are caught in a chaotic present that is difficult to navigate. The imagery of the ship and its glowing future signifies hope and possibility, while the turbulent present serves as a reminder of life's complexities, reflecting on our human experience of grappling with time.
Themes
In practice
Example use cases
This quote could inspire a discussion about mindfulness and living in the moment during a presentation on personal development.
More from F. Scott Fitzgerald
All quotes →The test of a first-rate intelligence is the ability to hold two opposed ideas in mind at the same time and still retain the ability to function.
It was about then [1920] that I wrote a line which certain people will not let me forget: "She was a faded but still lovely woman of twenty-seven."
The words seemed to bite physically into Gatsby.
But you can love more than just one person, can't you?
A sudden gust of rain blew over them and then another - as if small liquid clouds were bouncing along the land. Lightning entered the sea far off and the air blew full of crackling thunder. The table cloths blew around the pillars. They blew and blew and blew. The flags twisted around the red chairs like live things, the banners were ragged, the corners of the table tore off through the burbling billowing ends of the cloths.
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When you once see something as false which you have accepted as true, as natural, as human, then you can never go back to it.
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