Wearing one hoop earring and playing with the androgyny - that's who I am. That's what I like to do. And I feel the world should see that. I'm not going to put a shield up or be more feminine to make people feel comfortable.
Interpretation
This quote expresses the importance of self-acceptance and authenticity in one's identity and self-expression.
Lena Waithe emphasizes the significance of embracing one's unique identity and rejecting societal pressures to conform to traditional gender norms. By proudly showcasing her style and androgyny, she advocates for genuine self-expression and encourages others to embrace their true selves, regardless of comfort levels of those around them.
In practice
During a panel discussion on gender and identity, someone might quote this to illustrate the importance of living authentically.
As a black woman in the industry, you really do have to hold your head higher, stick your chest out, be kind and polite and generous even when you don't want to be sometimes. I learned that and, also, just to never take no for an answer.
Being a black lesbian myself, I roll my eyes a little bit when I see black lesbian characters on shows where it's purely there for decoration. You can just hear it in the writers room... 'What if we make her a lesbian?'
It's weird because I see black gay characters on television all the time, but do I relate to them? Not always, because they're set pieces.
The cool thing about dope black style becoming in style is that the industry has no choice but to try and reduplicate that.
For me, it's about making art that's not good but phenomenal. James Baldwin didn't want to just stay above the fray. Prince didn't think, 'I wonder what the industry is gonna think about 'Purple Rain.'' It's just, is this honest? Is this real? Does this move me? The rest is icing.
Being born gay, black, and female is not a revolutionary act. Being proud to be a gay black female is.
I was a mixed black girl existing in a westernized Hawaiian culture where petite Asian women were the ideal, in a white culture where black women were furthest from the standard of beauty, in an American culture where trans women of color were invisible.
The American society around me looked at me and saw Japanese. Then, when I was 19, I went to Japan for the first time. And suddenly - what a shock - I realized I wasn't Japanese; they saw me as American. It was an enormous relief. Now I just appreciate being exactly in the middle.
I am trying to make my accent so it won't bother anyone, but I am not going to drive myself crazy trying to pretend I am an American girl when I am from Colombia.
I want people to see my color and my culture written all over me, because I am proud of the skin I'm in. It is an important part of my identity. What I don't want them to do is mistreat me because of it.
The mark of a Scot of all classes [is that] he ... remembers and cherishes the memory of his forebears, good or bad; and there burns alive in him a sense of identity with the dead even to the twentieth generation.
Part of me always felt like the other, the outsider, the observer. My father had two sons with his second wife, who I didn't meet until my late 20s. I was always on the periphery. In Madrid, I was the only Turk in a very international school, so I had to start thinking about identity. All these things affected me.
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