I always understood my ancestry, like that of so many others in the Gulf Coast, to be a tangle of African slaves, free men of color, French and Spanish immigrants, British colonists, Native Americans - but in what proportion, and what might that proportion tell me about who I thought I was?
Interpretation
The quote reflects the complexity of one's ancestry and how it shapes personal identity.
Jesmyn Ward's quote delves into the intricate web of her heritage, highlighting the diverse cultural backgrounds that contribute to one's sense of self. By examining her ancestry, she questions how the various elements of her lineage—from African slaves to Native Americans—inform her identity and self-perception in a multicultural context.
In practice
In a speech about cultural diversity, I could use this quote to emphasize the importance of understanding our mixed heritage.
In the South, there is more overt racism. It's more willfully ignorant and brazen. But it's not as if by moving I'm going to be able to escape institutionalized racism. It's not as though my life won't be twisted and impacted by racism anymore. It will.
The ugly heart of the South still beats with this idea that one group of people is worth less.
Katrina silenced me for two years. I wrote a 12-page essay on my experience in Katrina, and that's it. I didn't write anything for, like, two, two and a half years after Katrina hit because it was so traumatic.
Hip-hop, which is my generation's blues, is important to the characters that I write about. They use hip-hop to understand the world through language.
With all the main characters that I write, it's always very important to me that they have good and bad aspects of their personality. It's important to me that they're complicated and that they're human.
I think people make certain assumptions about what they're interested in reading or what others would be interested in reading, and when they think of poor black people in the South, they don't think people are interested in reading about those people.
I knew that I was trans when I was three years old. Well, I didn't know 'trans' because I didn't know there was a word for it, but I just knew that in my head and my heart that I was supposed to be a girl.
I feel most colored when I am thrown against a sharp white background........Beside the waters of the Hudson" I feel my race. Among the thousand white persons, I am a dark rock surged upon, and overswept, but through it all, I remain myself. When covered by the waters, I am; and the ebb but reveals me again." How It Feels to Be Colored Me
There's always someone asking you to underline one piece of yourself - whether it's Black, woman, mother, dyke, teacher, etc. - because that's the piece that they need to key in to. They want to dismiss everything else.
I have always wanted to be both man and woman, to incorporate the strongest and richest parts of my mother and father within/into me - to share valleys and mountains upon my body the way the earth does in hills and peaks.
For a while, I was feeling like I was always playing characters that weren't specifically Korean or specifically Asian, even - that they were characters who were originally written white, and then they would cast me. And I used to consider that a badge of honor because that meant I had avoided stereotypes.
I always assumed that my otherness was a curse - that I would be held back by my Asian and queer identities.
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