I always say it takes three weeks to know a character and three months to own it. And I think that's probably true of every theater artist. If you really want to see a performance of the show, wait three months.
Brian Stokes MitchellRead
One of the interesting things an artist does is they keep rediscovering things, whether it's a jazz piece or a role you've done for 3,000 performances or a song you're singing for the 3,000th time. My job is to find that spark that keeps it fresh and alive.
Interpretation
Artists continuously seek new inspiration and freshness in their work, even through repetition.
The quote emphasizes the dynamic nature of artistry, where the artist's role is to maintain a sense of novelty and vigor in their performances, regardless of how often they repeat them. Brian Stokes Mitchell highlights the importance of rediscovery and the pursuit of inspiration, suggesting that creativity thrives on finding new perspectives in familiar material.
In practice
This quote can be shared during an artist's workshop to inspire participants.
I always say it takes three weeks to know a character and three months to own it. And I think that's probably true of every theater artist. If you really want to see a performance of the show, wait three months.
That's the magic of art and the magic of theatre: it has the power to transform an audience, an individual, or en masse, to transform them and give them an epiphanal experience that changes their life, opens their hearts and their minds and the way they think.
There are some projects where you have to just start doing it, and, after a while, the show starts telling you what it wants to be. You put your spirit in and, after a while, something bigger takes over, and it turns out to be much more fun and creative than what it was at the beginning.
The older I get, I realize, 'Man, I'm a very rare bird,' and that's not because of necessarily my talent or ability; it so much depends on luck and just the grace of the universe.
A scientist worthy of his name, about all a mathematician, experiences in his work the same impression as an artist; his pleasure is as great and of the same nature.
Of course, my interests and my focus change and become more diverse, more worldly. At the same time, I am interested in the simple basics, which is I love to dance and I love to make people dance.
If only life could be a little more tender and art a little more robust.
At the time I started in ballet they were dancing 'The Spirit of Champagne' on pointe, in Paris. I thought, 'I don't want to dance the spirit of champagne, I want to drink it!
When a documentary filmmaker, working in the style that I do, suggests that there has been a shooting ratio of 40 hours to every one hour of finished film, that doesn't mean that the other 39 are bad.
When I was in Cambridge reading mathematics, I went to Amsterdam for the International Mathematics Congress. There I saw M.C. Escher's fascinating work. That inspired me to try my hand at drawing such impossibilities.
Subscribe for the occasional hand-picked quote. No noise.