I always say it takes three weeks to know a character and three months to own it. And I think that's probably true of every theater artist. If you really want to see a performance of the show, wait three months.
Brian Stokes MitchellRead
One of the interesting things an artist does is they keep rediscovering things, whether it's a jazz piece or a role you've done for 3,000 performances or a song you're singing for the 3,000th time. My job is to find that spark that keeps it fresh and alive.
Interpretation
Artists continuously seek new inspiration and freshness in their work, even through repetition.
The quote emphasizes the dynamic nature of artistry, where the artist's role is to maintain a sense of novelty and vigor in their performances, regardless of how often they repeat them. Brian Stokes Mitchell highlights the importance of rediscovery and the pursuit of inspiration, suggesting that creativity thrives on finding new perspectives in familiar material.
In practice
This quote can be shared during an artist's workshop to inspire participants.
I always say it takes three weeks to know a character and three months to own it. And I think that's probably true of every theater artist. If you really want to see a performance of the show, wait three months.
That's the magic of art and the magic of theatre: it has the power to transform an audience, an individual, or en masse, to transform them and give them an epiphanal experience that changes their life, opens their hearts and their minds and the way they think.
There are some projects where you have to just start doing it, and, after a while, the show starts telling you what it wants to be. You put your spirit in and, after a while, something bigger takes over, and it turns out to be much more fun and creative than what it was at the beginning.
The older I get, I realize, 'Man, I'm a very rare bird,' and that's not because of necessarily my talent or ability; it so much depends on luck and just the grace of the universe.
What I am trying to translate to you is more mysterious, it is entwined in the very roots of being, in the implacable source of sensations.
When you go to an art museum, the thing you're least likely to encounter is a picture of a black person. When it comes to ideas about art and about beauty, the black figure is absent.
In my art, I deconstruct and then I reconstruct, so visual perception is one of my primary interests.
In music, silence is more important than sound.
I create enclosed spaces mainly by means of thick concrete walls. The primary reason is to create a place for the individual, a zone for oneself within society. When the external factors of a city's environment require the wall to be without openings, the interior must be especially full and satisfying.
So I have no grounds to complain; on the contrary, writers should consider the condition of permanent controversiality to be invigorating, part of the risk envolved in choosing the profesión. It is a fact of life that writers have always and with due consideration and great pleasure spit in the soup of the high and mighty. That is what makes the history of literature analogous to the development and refinement of censorship.
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