I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content.
When a documentary filmmaker, working in the style that I do, suggests that there has been a shooting ratio of 40 hours to every one hour of finished film, that doesn't mean that the other 39 are bad.
Interpretation
What this quote means
The quote emphasizes that the process of filmmaking involves extensive effort and time, and not every moment captured is inferior; rather, it's part of the creative journey.
Ken Burns highlights the extensive labor and material that goes into documentary filmmaking, suggesting that the disparity between shooting and finished footage reflects the complexity of storytelling rather than a qualitative judgment of the unedited content. He reassures that the hours not included in the final edit are still valuable and contribute to the overall narrative, indicating that significant work often goes unnoticed in the final product.
Themes
In practice
Example use cases
In a talk about creativity, one might cite this quote to illustrate the importance of patience and persistence.
More from Ken Burns
All quotes →Good history is a question of survival. Without any past, we will deprive ourselves of the defining impression of our being.
It is the great arrogance of the present to forget the intelligence of the past
In most films music is brought in at the end, after the picture is more or less locked, to amplify the emotions the filmmaker wants you to feel.
Jazz is a very accurate, curiously accurate accompaniment to 20th century America.
You need, as a historian, essential triangulation from your subject and the only way you get that triangulation is through time.
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I'd been making music that was intended to be like painting, in the sense that it's environmental, without the customary narrative and episodic quality that music normally has. I called this 'ambient music.' But at the same time I was trying to make visual art become more like music, in that it changed the way that music changes.
You write in order to change the world, knowing perfectly well that you probably can't, but also knowing that literature is indispensable to the world... The world changes according to the way people see it, and if you alter, even by a millimeter, the way... people look at reality, then you can change it.
Photography concentrates one's eye on the superficial. For that reason it obscures the hidden life which glimmers through the outlines of things like a play of light and shade. One can't catch that even with the sharpest lens.
One should not become an artist because he can, but because he must. It is only for those who would be miserable without it.