Authors like cats because they are such quiet, lovable, wise creatures, and cats like authors for the same reasons.
Robertson DaviesRead
The most original thing a writer can do is write like himself. It is also his most difficult task.
Interpretation
A writer's authenticity is their greatest strength, yet achieving it can be quite challenging.
This quote emphasizes that true originality in writing comes from expressing one's own unique voice and perspective. While this authenticity is what sets a writer apart, it is also a difficult endeavor, as writers often grapple with external influences and self-doubt that may distort their genuine style.
In practice
In a writing workshop, you might use this quote to encourage participants to find their unique voice.
Authors like cats because they are such quiet, lovable, wise creatures, and cats like authors for the same reasons.
Pessimism is a very easy way out because it is a short view of life. If you look at what is happening around us today, you can't help but feel that life is a terrible complexity of problems. But if you look back a few thousand years, you realize that we have advanced fantastically. If you take a long view, I do not see how you can be pessimistic about the future of mankind.
This is one of the cruelties of the theatre of life; we all think of ourselves as stars and rarely recognize it when we are indeed mere supporting characters or even supernumeraries.
Everything matters. The Universe is approximately fifteen billion years old, and I swear that in all that time, nothing has ever happened that has not mattered, has not contributed in some way to the totality.
The egotist is all surface; underneath is a pulpy mess and a lot of self-doubt. But the egoist may be yielding and even deferential in things he doesn't consider important; in anything that touches his core he is remorseless.
The world is full of people whose notion of a satisfactory future is, in fact, a return to the idealized past.
The art of bread making can become a consuming hobby, and no matter how often and how many kinds of bread one has made, there always seems to be something new to learn.
I always feel that a viewer has an expectation about every moment of the film and where it's going, so if I act against that, I've created a twist. In fact, it becomes a kind of game with the expectations of the viewer. This is the superficial appearance. In the layer beneath, there is a hidden theme.
I start with no preconceived idea - discovery excites me to focus - then rediscovery through the lens - final form of presentation seen on ground glass, the finished print previsioned completely in every detail of texture, movement, proportion, before exposure - the shutter's release automatically and finally fixes my conception, allowing no after manipulation - the ultimate end, the print, is but a duplication of all that I saw and felt through my camera.
If you had a sign above every studio door saying ‘This Studio is a Musical Instrument’ it would make such a different approach to recording.
There is this aura that the three-act play is the important one: it's the one that you do to win the Pulitzer. Some part of you falls for that, and then after a while, you don't fall for that.
The body says what words cannot.
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