Thereβs a difference between being alone and being lonely. Writers know that. I have never met a writer who does not crave to be alone. We have to be alone to do what we do.
Mary RuefleRead
The origins of poetry are clearly rooted in obscurity, in secretiveness, in incantation, in spells that must at once invoke and protect, tell the secret and keep it.
Interpretation
This quote suggests that poetry arises from mysterious and sacred elements, serving both to reveal and to conceal truths.
Mary Ruefle's quote explores the complex nature of poetry, emphasizing its origins in obscurity and the balance between revealing secrets and guarding them. Poetry, akin to incantations and spells, operates in a realm where language not only expresses ideas but also evokes deeper, hidden meanings that resonate with the reader, reflecting the duality of openness and secrecy intrinsic to the poetic form.
In practice
This quote can be used in a poetry workshop to inspire discussions about the mystical elements of poetic creation.
Thereβs a difference between being alone and being lonely. Writers know that. I have never met a writer who does not crave to be alone. We have to be alone to do what we do.
I like simplicity. I like using natural sources. I like images to look natural - as though somebody sitting in a room by a lamp is being lit by that lamp.
When I read Toni Morrison and Sandra Cisneros as a freshman at Rutgers, it all clicked - that writing was all I wanted to do. It became my calling.
I'm totally crazy, I know that. I don't say that to be a smartass, but I know that that's the very essence of what makes my work good. And I know my work is good. Not everybody likes it, that's fine. I don't do it for everybody. Or anybody. I do it because I can't not do it.
If you find yourself asking yourself (and your friends), "Am I really a writer? Am I really an artist?" chances are you are. The counterfeit innovator is wildly self-confident. The real one is scared to death.
With vocal and choral music, first and foremost, it's the text. Not only do I need to serve the text, but the text - when I'm doing it right - acts as the perfect 'blueprint', and all the architecture is there. The poet has done the heavy lifting, so my job is to find the soul of the poem and then somehow translate that into music.
The ostensible subject of my photographs may be motion, but the subtext is time. A dancer's movements illustrate the passage of time, giving it a substance, materiality, and space. In my photographs, time is stopped, a split second becomes an eternity, and an ephemeral moment is solid as sculpture.
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