An abstract painting need in 50 years by no means look "abstract" any longer.
Marcel DuchampRead
A painting that doesn't shock isn't worth painting.
Interpretation
Art should provoke thought and evoke strong emotions.
Marcel Duchamp emphasizes the idea that true art must challenge viewers and stir a reaction. If a painting doesn't elicit strong feelings or provoke critical thinking, it fails to fulfill its purpose in stimulating dialogue and reflection about society and the human experience.
In practice
In an art class, to inspire students, one might say, 'Remember, a painting that doesn't shock isn't worth painting.'
An abstract painting need in 50 years by no means look "abstract" any longer.
All this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with 'winning or losing this game of chess.
I am still a victim of chess. It has all the beauty of art - and much more. It cannot be commercialized. Chess is much purer than art in its social position.
I never finished the 'Large Glass' because, after working on it for eight years, I probably got interested in something else; also, I was tired. It may be that, subconsciously, I never intended to finish it because the word 'finish' implies an acceptance of traditional methods and all the paraphernalia that accompany them.
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
I became a librarian at the Sainte-Genevieve Library in Paris. I made this gesture to rid myself of a certain milieu, a certain attitude, to have a clean conscience, but also to make a living. I was twenty-five. I had been told that one must make a living, and I believed it.
My goal in life is to give to the world what I was lucky to receive: the ecstasy of divine union through my music and my dance.
When you pose for a photograph, it's behind a smile that isn't yours. You are angry and hungry and alive. What I value in you is that intensity. I want to make portraits as intense as people.
I make my films because I'm affected by a situation, by something that makes me want to reflect on it, that lends itself to an artistic reflection. I always aim to look directly at what I'm dealing with. I think it's a task of dramatic art to confront us with things that in the entertainment industry are usually swept under the rug.
On those who overanalyze his music: When you tear the wings off a butterfly, it is no longer a butterfly
The flavor of wine is like delicate poetry.
I wrote 'My Name is Red' just to remember painting, where the hand does it before the intellect. When I'm captive to it, I'm a happier person. Kierkegaard tells us that a happy person is someone who lives in the present; the unhappy person, someone who lives either in the past or the future.
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