She had heard Papa sing so many songs about the heart; the heart that was breaking - was aching - was dancing -was heavy laden - that leaped for joy - that was heavy in sorrow - that turned over - that stood still. She really believed the heart actually did those things.
Interpretation
The heart experiences a range of emotions, as expressed through music and poetry.
In this quote, Betty Smith illustrates the profound connection between music and emotions, particularly how the heart embodies various feelings—joy, sorrow, and everything in between. The reference to Papa singing songs suggests that through storytelling and artistry, we come to understand the complexities of human emotions, and the heart becomes a vessel for those experiences, evoking a belief in its physical manifestation of feelings.
In practice
Sharing this quote during a wedding to celebrate love and emotional connections.
Francie was ten years old when she first found an outlet in writing. What she wrote was of little consequence. What was important was that the attempt to write stories kept her straight on the dividing line between truth and fiction. If she had not found this outlet in writing, she might have grown up to be a tremendous liar.
Dear God," she prayed, "let me be something every minute of every hour of my life. Let me be gay; let me be sad. Let me be cold; let me be warm. Let me be hungry...have too much to eat. Let me be ragged or well dressed. Let me be sincere - be deceitful. Let me be truthful; let me be a liar. Let me be honorable and let me sin. Only let me be something every blessed minute. And when I sleep, let me dream all the time so that not one little piece of living is ever lost.
Oh, magic hour, when a child first knows she can read printed words.
I know that's what people say-- you'll get over it. I'd say it, too. But I know it's not true. Oh, youll be happy again, never fear. But you won't forget. Every time you fall in love it will be because something in the man reminds you of him.
It was the last time she’d see the river from that window. The last time of anything has the poignancy of death itself. This that I see now, she thought, to see no more this way. Oh, the last time how clearly you see everything; as though a magnifying light had been turned on it. And you grieve because you hadn’t held it tighter when you had it every day.
It doesn't take long to write things of which you know nothing. When you write of actual things, it takes longer, because you have to live them first.
There is always some madness in love. But there is also always some reason in madness.
And patience flees my heart, And reason flees my mind. Oh, how drunk can I get to be, Without your love's security?
Because I liked you better Than suits a man to say, It irked you, and I promised I'd throw the thought away. To put the world between us We parted stiff and dry: 'Farewell,' said you, 'forget me.' 'Fare well, I will,' said I. If e'er, where clover whitens The dead man's knoll, you pass, And no tall flower to meet you Starts in the trefoiled grass, Halt by the headstone shading The heart you have not stirred, And say the lad that loved you Was one that kept his word.
And you're sorry that the ephemeral beauty has faded so rapidly, so irretrievably, that it flashed so deceptively and pointlessly before your eyes - you're sorry, for you didn't even have time to fall in love.
Never in his life had Edward been cradled like a baby. Abilene had not done it. Nor had Nellie. And most certainly, Bull had not. It was a singular sensation to be held so gently and yet so fiercely, to be stared down at with so much love. Edward felt the whole of his china body flood with warmth. (page 128)
Let's contend no more, Love, Strive nor weep: All be as before Love, - Only sleep.
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