A parallel between color and music can only be relative – just as a violin can give warm shades of tone, so yellow has shades, which can be expressed by various instruments.
Interpretation
This quote suggests that both color and music share a subjective quality that allows them to evoke similar feelings and interpretations.
Wassily Kandinsky's quote illustrates the relationship between color and music, emphasizing that both art forms can elicit emotional responses that are personal and relative to the viewer or listener. He implies that just as a violin's warm tones can resonate with a palette of colors, certain shades like yellow can evoke various feelings akin to musical expressions, highlighting the interconnected nature of sensory experiences.
In practice
An art critique discussing the emotional impact of a painting may quote Kandinsky to articulate the synergy between visual art and music.
The true work of art is born from the 'artist': a mysterious, enigmatic, and mystical creation. It detaches itself from him, it acquires an autonomous life, becomes a personality, an independent subject, animated with a spiritual breath, the living subject of a real existence of being.
The artist must have something to say, for mastery over form is not his goal but rather the adapting of form to its inner meaning.
With cold eyes and indifferent mind the spectators regard the work. Connoissers admire the "skill" (as one admires a tightrope walker), enjoy the "quality of painting" (as one enjoys a pasty). But hungry souls go hungry away. The vulgar herd stroll through the rooms and pronounce the pictures "nice" or "splendid." Those who could speak have said nothing, those who could hear have heard nothing.
The sound of colors is so definite that it would be hard to find anyone who would express bright yellow with bass notes or dark lake with treble.
The more abstract is form, the more clear and direct its appeal.
All methods are sacred if they are internally necessary. All methods are sins if they are not justified by internal necessity.
A lot of young Latino actors have said to me, 'Why can't we get an Oscar? Why can't we be nominated?' And the terrible truth is that if you don't get the right parts, you're not going to be. Are you going to get an Oscar nomination for one of those Judd Apatow movies? Not likely, no matter what nationality you are.
Painting is a nail to which I fasten my ideas.
Poetry is something to make us wiser and better, by continually revealing those types of beauty and truth, which God has set in all men's souls.
For a long time, I thought when you do a box set, you're giving up; you're saying, 'OK, I don't have anything left.' But now I've listened to some of the old stuff I haven't heard in 20 to 40 years with fresh ears. It's like, 'Oh yeah, I can see where people might want to to hear some of this stuff that didn't make it onto the records.'
[T]he visibility of styles is itself a product of historical consciousness. ... The very notion of "style" needs to be approached historically. Awareness of style as a problematic and isolable element in a work of art has emerged in the audience for art only at certain historical moments - as a front behind which other issues, ultimately ethical and political, are being debated.
There are lots of similarities between being a writer and a lawyer: to tell a story to a jury, hold their attention, make them laugh, make them like you. But what makes being a barrister less satisfying than being a writer is, finally, that it's about what someone else wants you to say.
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