That was what her parents did not understand—and had never understood—about stories. Liza told herself storied as though she was weaving and knotting an endless rope. Then, no matter how dark or terrible the pit she found herself in, she could pull herself out, inch by inch and hand over hand, on the long rope of stories.
Interpretation
Stories can provide a way to navigate through difficult times and find strength.
In this quote, Lauren Oliver highlights the profound impact stories have on individuals, especially in challenging circumstances. Liza uses the metaphor of weaving a rope with stories to illustrate how these narratives can anchor her and offer a means of escape from her troubles. Through storytelling, she finds resilience and the ability to lift herself out of dark moments, reflecting the transformative power of personal and shared narratives.
In practice
In a motivational speech to inspire young writers.
My heart is drumming in my chest so hard it aches, but it's the good kind of ache, like the feeling you get on the first real day of autumn, when the air is crisp and the leaves are all flaring at the edges and the wind smells just vaguely of smoke - like the end and the beginning of something all at once.
If he were less well trained, and less careful, he would say hate. But he can’t say it; it is too close to passion, and passion is too close to love, and love is amor deliria nervosa, the deadliest of all deadly things: It is the reason for the games of pretend, for the secret selves, for the spasms in the throat.
It's amazing how words can do that, just shred your insides apart. Sticks and stones may break my bones, but words can never hurt me - such bullshit.
Love: a single word, a wispy thing, a word no bigger or longer than an edge. That's what it is: an edge; a razor. It draws up through the center of your life, cutting everything in two. Before and after. The rest of the world falls away on either side.
But...books are so much more. Some of them are webs; you can feel your way along their threads, but just barely, into strange and dark corners. Some of them are balloons bobbing up through the sky: totally self-contained, and unreachable, but beautiful to watch. And some of them―the best ones―are doors.
It's surprisingly nice out here, peaceful and pretty-strange to be standing in the middle of a little garden while enclosed by the massive stone walls of the prison, like being at the exact center of a hurricane, and finding peace and silence in the middle of so much shrieking damage.
When doubts haunt me, when disappointments stare me in the face, and I see not one ray of hope on the horizon, I turn to Bhagavad-gita and find a verse to comfort me; and I immediately begin to smile in the midst of overwhelming sorrow. Those who meditate on the Gita will derive fresh joy and new meanings from it every day.
These words dropped into my childish mind as if you should accidentally drop a ring into a deep well. I did not think of them much at the time, but there came a day in my life when the ring was fished up out of the well, good as new.
It is advantageous to an author that his book should be attacked as well as praised. Fame is a shuttlecock. If it be struck at one end of the room, it will soon fall to the ground. To keep it up, it must be struck at both ends.
Then she told me why a tiger is gold and black. It has two ways. The gold side leaps with its fierce heart. The black side stands still with cunning, hiding its gold between the trees, seeing and not being seen, waiting patiently for things to come. I did not learn to use my black side until after the bad man left me.
It is often easier to ask for forgiveness than to ask for permission.
When I write, I aim in my mind not toward New York but toward a vague spot a little to the east of Kansas.
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