I didn't know I was a zombie pedant until I started considering what from the zombie canon to keep in 'Zone One' and what to ignore.
Colson WhiteheadRead
Part of any book is establishing the rules at the end of the world. My first book, 'The Intuitionist,' takes place in an alternative world where elevator inspectors are important, so you have to establish rules, and part of that is, How do people talk? How do they behave?
Interpretation
The quote emphasizes the importance of world-building in literature, particularly how rules shape interactions in fictional environments.
Colson Whitehead reflects on the significance of establishing a coherent framework within the narrative of a book, particularly in fantastical or alternative worlds. He highlights that defining the behaviors and dialogues of characters is essential to immerse readers in this constructed reality, illustrating the intricate relationship between setting, character, and story in the art of writing.
In practice
An author discussing their storytelling techniques in a workshop.
I didn't know I was a zombie pedant until I started considering what from the zombie canon to keep in 'Zone One' and what to ignore.
I don't generally follow sports. At an early age, I discovered that nature had apportioned me only a small reserve of enthusiasm. Best to ration.
In keeping with my family's affection for doomed product lines and hexed formats, we purchased a Betamax. The year before, we'd bought a TRS-80 instead of an Apple II, and in due course we'd unbox Mattel's Intellivision, instead of Atari's legendary gizmo. This was good training for a writer, for the sooner you accept the fact that you are a deluded idiot who is always out of step with reality the better off you will be.
Access to information, to music or any kind of culture, is getting faster and faster and more streamlined. At each juncture, people are thrown into tumult and have to adapt or die.
I use New York to talk about home, but the ideas in 'Colossus' could be transferred to other cities. The story about Central Park is really about the first day of spring in any park. The Coney Island chapter is really about beaches and summer and heat waves.
Early on my career, I figured out that I just have to write the book I have to write at that moment. Whatever else is going on in the culture is just not that important. If you could get the culture to write your book, that would be great. But the culture can't write your book.
Giving a camera to Diane Arbus is like putting a live grenade in the hands of a child.
If I like many photographers, and I do, I account for this by noting a quality they share - animation. They may or may not make a living by photography, but they are alive by it.
I want people to come to me open and vulnerable. When they come to the gallery, they have to leave their watches, their computers, their Blackberrys, iPads, iPhones, because we are so incredibly used to technology, and I wanted to remove that.
So long as I have questions to which there are no answers, I shall go on writing.
Most of the time you're too busy to think about it. But every now and then you say, 'I work at 'Saturday Night Live,' and that is so cool.
You want to know how to paint a perfect painting? It's easy. Make yourself perfect and then just paint naturally.
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