It is good to have an end to journey towards; but it is the journey that matters, in the end.
Ursula K. Le GuinRead
Part of the particular interest and beauty of science fiction and fantasy: writer and reader collaborate in world-making.
Interpretation
Science fiction and fantasy engage both writers and readers in creating imaginative worlds together.
Ursula K. Le Guin highlights the unique collaborative relationship between writers and readers in the realms of science fiction and fantasy. These genres allow for the shared experience of world-building, where writers construct intricate narratives and readers actively partake in imagining these elaborate settings, thus fostering a deep connection and engagement with the worlds created.
In practice
In a discussion on the importance of engaging narratives, one might say, 'As Ursula K. Le Guin pointed out, writers and readers collaborate in world-making.'
It is good to have an end to journey towards; but it is the journey that matters, in the end.
In reading a novel, any novel, we have to know perfectly well that the whole thing is nonsense, and then, while reading, believe every word of it. Finally, when we're done with it, we may find - if it's a good novel - that we're a bit different from what we were before we read it, that we have changed a little... But it's very hard to say just what we learned, how we were changed.
Reason is a faculty far larger than mere objective force. When either the political or the scientific discourse announces itself as the voice of reason, it is playing God, and should be spanked and stood in the corner.
The only thing that makes life possible is permanent, intolerable uncertainty; not knowing what comes next.
We read books to find out who we are. What other people, real or imaginary, do and think and feel... is an essential guide to our understanding of what we ourselves are and may become.
When he found that the administrators were upset, he laughed. βDo they expect students not to be anarchists?β he said. βWhat else can the young be? When you are on the bottom, you must organize from the bottom up
Even after I became involved in theater and involved in TV and film, I had this sort of idea that Hollywood was off limits. There was something about L.A., the mystique of it and fear of it.
Your writing voice is the deepest possible reflection of who you are. The job of your voice is not to seduce or flatter or make well-shaped sentences. In your voice, your readers should be able to hear the contents of your mind, your heart, your soul.
The minute you start the process of deciding to make a film and you're communicating that vision to anyone, you're in the process of selling. If you don't understand that, you're not in show business. You're just not.
There are only 3 colors, 10 digits, and 7 notes; its what we do with them that's important.
Movies become living organisms that graduate from a filmmaker's sphere of influence and pretty much look back and tell you how they need to be said goodbye to. A movie often turns around and looks at you and says, "Here is who I am, and that's maybe now how you see me, but that's who I've become." And you've got to be open enough to go with that.
Producing is a way of finding a great script that nobody's making, and believing in it, and doing what you can to get it made. It lets you work with your friends, people you really love to do something with.
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