People apparently only read mystery stories of any length. With mysteries, the longer the better, and people will read any damn thing. But the indulgent, 800-page books that were written a hundred years ago are just not going to be written anymore, and people need to get used to that.
Interpretation
The quote discusses how modern readers prefer shorter mysteries over lengthy older works.
Cormac McCarthy highlights a shift in literary preferences, suggesting that while people enjoy diving into complex mysteries, their appetite for length has diminished. He emphasizes that the indulgent, lengthy narratives of the past are becoming obsolete, and contemporary readers must adapt to this change in storytelling norms and expectations.
In practice
During a book club discussion, one could quote McCarthy to emphasize the changing landscape of reader preferences.
Yet it is the narrative that is the life of the dream while the events themselves are often interchangeable. The events of the waking world on the other hand are forced upon us and the narrative is the unguessed axis along which they must be strung.
See the hand that nursed the serpent. The fine hasped pipes of her fingerbones. The skin bewenned and speckled. The veins are milkblue and bulby. A thin gold ring set with diamonds. That raised the once child's heart of her to agonies of passion before I was. Here is the anguish of mortality. Hopes wrecked, love sundered. See the mother sorrowing. How everything that I was warned of's come to pass.
What he could bear in the waking world he could not by night and he sat awake for fear the dream would return.
The judge placed his hands on the ground. He looked at his inquisitor. This is my claim, he said. And yet everywhere upon it are pockets of autonomous life. Autonomous. In order for it to be mine nothing must be permitted to occur upon it save by my dispensation.
Only now is the child finally divested of all that he has been. His origins are become remote as is his destiny and not again in all the world's turning will there be terrains so wild and barbarous to try whether the stuff of creation may be shaped to man's will or whether his own heart is not another kind of clay.
He knew only that his child was his warrant. He said: If he is not the word of God God never spoke.
I think that when memoir goes wrong, it goes wrong from too much memory, too much detail. It's about clearing all that away and just getting to the story.
Ah yes, the paradox of publicity is that even as we do it, we know it's killing off the chance of another reader happening across our book in the ideal state of innocence.
The difference between literature and journalism is that journalism is unreadable and literature is not read.
Novelists, it seems to me, are the very last people who should be asked to comment on the news of the day, and sooner or later, when they have been pilloried for their views, most of them recognise this.
I write adult fiction, but a good 40 to 50 per cent of my readers are teenagers. I love that if they have to grow up and move past JK Rowling they can move to me. From Jo to Jodi!
I suppose you could say my father's world was Thomas Hardy and my mother's D.H. Lawrence.
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