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Sentences must stir in a book like leaves in a forest, each distinct from each despite their resemblance.
Gustave Flaubert
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Interpretation

What this quote means

This quote emphasizes the uniqueness of each sentence in a book, likening them to individual leaves in a forest.

Gustave Flaubert compares the sentences in a book to leaves in a forest, highlighting that while they may appear similar, each one holds its own distinct character and significance. This analogy suggests the importance of individuality in literature, where each sentence contributes uniquely to the overall narrative or theme, just as every leaf contributes to the beauty and diversity of a forest.

Themes

LiteratureSentencesIndividualityUniqueWriting

In practice

Example use cases

During a book club discussion about the intricacies of writing, one might quote Flaubert to illustrate the importance of each sentence.

More from Gustave Flaubert

In my view, the novelist has no right to express his opinions on the things of this world. In creating, he must imitate God: do his job and then shut up.
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She loved the sea for its storms alone, cared for vegetation only when it grew here and there among ruins. She had to extract a kind of personal advantage from things and she rejected as useless everything that promised no immediate gratification β€” for her temperament was more sentimental than artistic, and what she was looking for was emotions, not scenery.
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In the dark room a cloud of yellow dust flew from beneath the tool like a scatter of sparks from under the hooves of a galloping horse. The twin wheels turned and hummed. Binet was smiling, his chin down, his nostrils distended. He seemed lost in the kind of happiness which, as a rule, accompanies only those mediocre occupations that tickle the intelligence with easy difficulties, and satisfy it with a sense of achievement beyond which there is nothing left for dreams to feed on.
Gustave FlaubertRead
It is a delicious thing to write, to be no longer yourself but to move in an entire universe of your own creating. Today, for instance, as man and woman, both lover and mistress, I rode in a forest on an autumn afternoon under the yellow leaves, and I was also the horses, the leaves, the wind, the words my people uttered, even the red sun that made them almost close their love-drowned eyes.
Gustave FlaubertRead
Stupidity is something unshakable; nothing attacks it without breaking itself against it; it is of the nature of granite, hard and resistant.
Gustave FlaubertRead
Whatever the thing you wish to say, there is but one word to express it, but one verb to give it movement, but one adjective to qualify it; you must seek until you find this noun, this verb, this adjective.
Gustave FlaubertRead

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We read Charlotte Bronte not for exquisite observation of character - her characters are vigorous and elementary; not for comedy - hers is grim and crude; not for a philosophic view of life - hers is that of a country parson's daughter; but for her poetry. Probably that is so with all writers who have, as she has, an overpowering personality, so that, as we say in real life, they have only to open the door to make themselves felt.
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If certain books are to be termed 'immigrant fiction,' what do we call the rest? Native fiction? Puritan fiction? This distinction doesn't agree with me.
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Certainly 'The Judgment of Paris' was the novel in which I found my own voice.
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Most contemporary novels are not really "written." They obtain what reality they have largely from an accurate rendering of the noises that human beings currently make in their daily simple needs of communication; and what part of a novel is not composed of these noises consists of a prose which is no more alive than that of a competent newspaper writer or government official. A prose that is altogether alive demands something of the reader that the ordinary novel-reader is not prepared to give.
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