Movies, they take years of my life, so I'm fortunate that I get to work in a lot of different mediums.
Spike JonzeRead
I respect people that are die-hard film people, but I started on video. I started on Hi8 video and mini-DV, and I made skate videos. So, I love film, and I love the way it looks, but I also love the way crappy video looks, or VHS. I've always been a fan of whatever the look is that's appropriate for what the feeling is.
Interpretation
The quote emphasizes the value of different filming techniques and the emotional impact they can create, regardless of quality.
Spike Jonze reflects on his journey as a filmmaker, expressing his respect for traditional film while also embracing the beauty of various video formats. He suggests that the essence of storytelling lies not just in the medium but in how it conveys emotion and feeling, highlighting the importance of artistic expression over technical perfection.
In practice
In a discussion about filmmaking techniques, this quote can highlight the diversity of visual storytelling.
Movies, they take years of my life, so I'm fortunate that I get to work in a lot of different mediums.
If you compromise what you're trying to do just a little bit, you'll end up compromising a little more the next day or the next week, and when you lift your head you're suddenly really far away from where you're trying to go.
Whenever I start writing, I try to put together songs that feed the feeling of the movie.
I want to make films without a single clear message, and films that are as close as possible to what it feels like to be alive. At least to me.
I think if something's emotionally real - and I'm not even talking about in movies or in art, but in life - you can't really argue with that, even if your intellectual mind might know differently.
When I'm making stuff, the thing that excites me most is not the result, but the process and trying to do something I've never done before.
Why, I just shake the buildings out of my sleeves.
The aim of all commentary on art now should be to make works of art - and, by analogy, our own experience - more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.
The desire for symmetry, for balance, for rhythm in form as well as in sound, is one of the most inveterate of human instincts.
The truer the facts the better the fiction.
I'm wallowing in the whole idea of just being a guy out there with a band, with songs. It's a real enjoyment.
What's interesting about the process of acting is how often you don't know what you're doing.
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