I want to remind people of the great and profound joy that can be found in stories, and that stories can connect us to each other, and that reading together changes everybody involved.
Interpretation
Stories have the power to connect people and bring joy to those who share them.
In this quote, Kate DiCamillo emphasizes the profound impact that stories can have on individuals and communities. She highlights that stories not only bring joy but also foster connections among people, illustrating how the simple act of reading together can transform the experiences and relationships of everyone involved.
In practice
In a reading group, I shared a quote by Kate DiCamillo to encourage more engagement with stories.
If you sit down and read with your kid, either having your child read to you or you reading to your child at a regular time each day, it deepens the relationship. You don't have to talk about stuff; the story will do that work for you.
If you want to be a writer, write a little bit every day. Pay attention to the world around you. Stories are hiding, waiting everywhere. You just have to open your eyes and your heart.
I was lucky enough to have a mother who took me to the library - the public library - twice a week, Wednesdays and Saturdays. And also bought me books. And also read aloud to me.
There is no right or wrong way to tell a story. You have to find your own way. You can get your idea from listening, looking, or imagining. Stories are everywhere. All you have to do is pay attention.
Reading should not be presented to children as a chore, a duty. It should be offered as a gift.
I have no talents. But I do have hope. And wonder. And love. Maybe those are talents?
'No Sweetness Here' is the kind of old-fashioned social realism I have always been drawn to in fiction, and it does what I think all good literature should: It entertains you.
When I think of the books I love, there's always a little laughter in the dark.
The poet can only write the poems; it takes the reader to complete the meaning.
Give me a story that just makes me unreasonably vigilant. Keep me up till five only because all your stars are out, and for no other reason.
Every word a woman writes changes the story of the world, revises the official version.
Back in my 20s, when I wrote 'A Place of Greater Safety,' the French Revolution novel, I thought, 'I'll always have to write historical novels because I can't do plots.'' But in the six years of writing that novel, I actually learned to write, to invent things.
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